Copper's ' "Industrial Waste" was released on its scheduled release date, September 15, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Copper by Copper. Based on our statistics, Industrial Waste's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Industrial Waste by Copper is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guilt (Hold Down) | Fingertight | B Minor | 8 | 10A | 158 BPM | ||
| It Happens | Hopesfall | F Major | 8 | 7B | 128 BPM | ||
| Wear It So Well | Far | F♯ Minor | 7 | 11A | 144 BPM | ||
| Repeating, Repeating | The Juliana Theory | G Major | 9 | 9B | 162 BPM | ||
| The Corporate Enthusiast | Dead Poetic | F Minor | 9 | 4A | 177 BPM | ||
| Apologies | Dropping Daylight | D Major | 8 | 10B | 121 BPM | ||
| Difference of Opinion | Course Of Nature | E♭ Minor | 8 | 2A | 144 BPM | ||
| Automatic | Collapsis | C Major | 8 | 8B | 107 BPM | ||
| If only | Deadsun | D Minor | 9 | 7A | 171 BPM | ||
| Attention Please | Caroline's Spine | A♭ Major | 10 | 4B | 130 BPM | ||
| Pride War | Further Seems Forever | B♭ Minor | 9 | 3A | 145 BPM | ||
| Drive Away | Gratitude | D Major | 8 | 10B | 127 BPM | ||
| The Path | Depswa | A Minor | 9 | 8A | 115 BPM | ||
| Eyes Wired Shut | Edgewater | D Major | 9 | 10B | 156 BPM | ||
| Shell of a Man | The Juliana Theory | E♭ Minor | 8 | 2A | 144 BPM | ||
| Bleeding Heart | Acceptance | E Minor | 7 | 9A | 168 BPM | ||
| Everything After | Revis | G Major | 9 | 9B | 184 BPM | ||
| Big Shove | Doubledrive | D♭ Minor | 6 | 12A | 129 BPM | ||
| After Hours Kingdom | JADIEL MUSK | E Major | 5 | 12B | 172 BPM | ||
| I Want to Know | Triple Fast Action | D Major | 9 | 10B | 130 BPM | ||
| Studebaker | Copper | D Major | 5 | 10B | 131 BPM | ||
| Limp | Smoochknob | B♭ Major | 9 | 6B | 110 BPM | ||
| Never Be the Same | Socialburn | E Major | 7 | 12B | 172 BPM | ||
| Roadside Attraction | The Sanex | E Major | 5 | 12B | 172 BPM | ||
| A Cross and a Girl Named Blessed | Evans Blue | D♭ Minor | 9 | 12A | 174 BPM |