On January 1, 2003, the song "Patavar Basale" was released by Shakuntala Jadhav. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nitin Pawar, Shakuntala Jadhav, Nanda Bhamre's "Maherchi Maya Sasrachi Chhaya" album is number 3 out of 4. On top of that, India appears to be the country where this track was created. Patavar Basale is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Patavar Basale by Shakuntala Jadhav to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Korda Khelvit Aali Rawlat | Rahul Shinde | B♭ Minor | 10 | 3A | 135 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Panduranga Ra Karuna Kara Ra | Chandrashekhar Gadgil | B♭ Major | 9 | 6B | 96 BPM | ||
| Dav Aashirwad Jai Durga Maa | Babul Supriyo, Sadhana Sargam | F Major | 7 | 7B | 135 BPM | ||
| Nwngbai Malaikha Aswk Salni Ulo | Arun Debbarma | E♭ Major | 9 | 5B | 114 BPM | ||
| Hya Sunbaine Bara Nahi Kela Ga Baya - Kalubai | Vijay Sartape, Satish Kachare | C Minor | 7 | 5A | 106 BPM | ||
| Lāgi Re Mune Lāgi Re | BAPS Swaminarayan Sanstha | F Major | 4 | 7B | 147 BPM | ||
| Nay Nay Mhanta Balach Aanal Jotibala | Vijay Sartape, Shakuntala Jadhav | F Major | 5 | 7B | 122 BPM | ||
| O Mon Moyna Pakhi | Anup Jalota | F Major | 4 | 7B | 147 BPM | ||
| Yaad Laglaya Nathach Yaad Laglaya | Vijay Sartape | F♯ Major | 8 | 2B | 127 BPM | ||
| Maago Samalei Maa | Shailabhama Mohapatra | F Minor | 7 | 4A | 144 BPM | ||
| Patho Cheye Bose Achi | Babul Bose, Babul Supriyo | A♭ Major | 2 | 4B | 93 BPM | ||
| Kalya Ghodyache Pay Vaje | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Jai Bolo Baba Lokenather | Kumar Sanu | A♭ Major | 7 | 4B | 107 BPM | ||
| Gomu Ya Nakhavachi Bayako Gunachi | Shashikant Mumbre, Sangeeta, Vrunda Lokare, Vasanti Vaiti, Anant Panchal, Shrikant Narayan, Shakuntala Jadhav, Ramdas Patil, Ganesh Gharat, Janardan Thakur, Darshana Panchal, Yojana Patil, Rajesh Ranshur Rajyabua, Krushna Shinde, Santosh Nayak, Vasudev Mukadam | A Major | 4 | 11B | 78 BPM | ||
| Sirma Sirfula | Munal Film Pvt. Ltd. | F Minor | 9 | 4A | 80 BPM | ||
| Hich Kay Go, Pt. 2 | Santosh Nayak, Vina Bamne | A♭ Major | 5 | 4B | 96 BPM | ||
| Santan Dukh He Ka Sada Pathishi | Yuvraj Pradhan | B♭ Minor | 6 | 3A | 168 BPM | ||
| Kay Karu Kay Nahi | Yuvraj Pradhan | B♭ Minor | 5 | 3A | 142 BPM | ||
| Vaata Baga Ho Baga | Shrikant Narayan, Milind Shinde, Santosh Nayak, Shakuntala Jadhav, Madhuri Karamarkar, Bela Sulakhe, Swapnil Bandodkar, Nitin Diskalkar | B♭ Major | 7 | 6B | 89 BPM | ||
| Swami Ho Swami | Mahesh Kale, Chintamani Sohoni | D Major | 8 | 10B | 109 BPM | ||
| Maere dil ne yahee baat dil sae kahee | Brahma Kumaris | D♭ Major | 3 | 3B | 149 BPM | ||
| Mala Pahije Fakt Bayku | Anand Shinde | G Major | 7 | 9B | 158 BPM | ||
| Mahad Talukyat Zilla Raygadat | Shakuntala Jadhav | D♭ Major | 4 | 3B | 200 BPM | ||
| O Jamaibabu Go | Sanajit Mondal | D Minor | 7 | 7A | 135 BPM |