Sítio de Pai Adão's ' "Toada Para Oxum 3" was released on its scheduled release date, 2020. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Ritmos Africanos no Xangô do Recife". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Australia. The popularity of Toada Para Oxum 3 is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Toada Para Oxum 3 by Sítio de Pai Adão having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orixá Osun | Babalorixá Júnior D'Oxossì | F♯ Minor | 5 | 11A | 122 BPM | ||
| Á wúrelé | Lucinha Pessoa, Dil Fonseca, Marcos Sacramento | C Major | 5 | 8B | 130 BPM | ||
| Iogunede | Mestre Hilário, Mestre Erenilton Bagum | G Minor | 6 | 6A | 78 BPM | ||
| Mutalambo | Grupo Kyloatala | F♯ Major | 5 | 2B | 109 BPM | ||
| Prece as Santas Almas | Sandro Luiz | A Major | 5 | 11B | 96 BPM | ||
| Para chegar aqui, atravessei um mar de fogo | Camafeu de Ayrá | E Major | 7 | 12B | 130 BPM | ||
| Popologumde | Various Artists | A♭ Minor | 6 | 1A | 129 BPM | ||
| Gargalhou nas Sete Catacumbas | Vagner de Aganjú | E Minor | 5 | 9A | 170 BPM | ||
| Canticos dos Orixas Oya | Pejigan Anderson de Bessen | G Minor | 7 | 6A | 129 BPM | ||
| João da Mata I e II | A Música e o Pará | A Major | 7 | 11B | 115 BPM | ||
| Quando a Noite Vem Tem Clarão da Lua | Renan Fernandes | F♯ Major | 5 | 2B | 104 BPM | ||
| Mulher de Cabaré Maria Padilha de Lucifér | Inho De Aganju | B♭ Major | 6 | 6B | 155 BPM | ||
| Cânticos para Badé | Jorge da Fé em Deus | A♭ Minor | 5 | 1A | 134 BPM | ||
| Yemanjá | Casa Fanti Ashanti | C Major | 5 | 8B | 147 BPM | ||
| Odé e Otin | Zezé De Oxalá | E Major | 6 | 12B | 131 BPM | ||
| Manezinho Légua | Tribuna Jurandiense, FERNANDO DE IEMANJÁ, PAI ZÉ PRETO DE OXUM | B♭ Minor | 8 | 3A | 172 BPM | ||
| Euá Xirê | Elza de Oxum | A Major | 5 | 11B | 99 BPM | ||
| Xangô Alujá (Zaza Ê) | José Ribeiro e Seus Filhos de Santo do Terreiro Inhasã Egún-Nitá | G Minor | 7 | 6A | 134 BPM | ||
| Ponto pombagira sete saias sem ela não se faz nada | luigi de oxala | F Major | 3 | 7B | 140 BPM | ||
| Exu Caveira Vem pra Curimba | Vagner de Aganjú | F Major | 6 | 7B | 114 BPM | ||
| Gira das Pombas Gira | J.B. De Carvalho, Coral Filhos de Exu | F Minor | 8 | 4A | 87 BPM | ||
| João Caveira Autoral | Alfredo de Ossayn | E♭ Minor | 6 | 2A | 89 BPM | ||
| Kaiala | Afoxé Bandarerê, Nengua Mesoenji | F♯ Minor | 5 | 11A | 92 BPM | ||
| Pomba Gira Rosa Vermelha Sua Roseira Vem Aguar | Cae lopes | D Major | 6 | 10B | 92 BPM | ||
| Yemoja | Ile Alaketu Ase Kare | A Minor | 5 | 8A | 104 BPM |