On January 1, 1989, the song "Aathaalai Engal - Chellaatha - Language: Tamil; Genre: Amman" was released by L. R. Eswari. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in L. R. Eswari's "Karpoora Naayagiyae Maariammaa" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Aathaalai Engal - Chellaatha - Language: Tamil; Genre: Amman's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Aathaalai Engal - Chellaatha - Language: Tamil; Genre: Amman by L. R. Eswari to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kali Unaku | Kanmaniraja, Kavinger Mukilan, L. R. Eswari | B♭ Major | 8 | 6B | 107 BPM | ||
| ANGALAMMA | SAKTHI SHANMUGARAJA | D Major | 5 | 10B | 102 BPM | ||
| Petra Thaaidhanai | S. P. Sailaja | C Major | 2 | 8B | 115 BPM | ||
| Maari Muthumaari | Swarnalatha | C Major | 8 | 8B | 98 BPM | ||
| Mangala Roopini Dhukka Nivarana Ashtakam - Female Vocals | Mylai Sisters | C Major | 7 | 8B | 120 BPM | ||
| Kalangarai Deepamae | P.Devanesan, L. R. Eswari | F Major | 5 | 7B | 119 BPM | ||
| Rukminiye | T. M. Soundararajan, L. R. Eswari | B♭ Minor | 6 | 3A | 90 BPM | ||
| Mariamma Engal Mariamma | L. R. Eswari | E Major | 5 | 12B | 103 BPM | ||
| Margazhi Thingal - Nithyasree Mahadevan | Nithyasree Mahadevan | A♭ Major | 6 | 4B | 164 BPM | ||
| Santhi Durgashtakam - Language: Tamil | Meera Krishna | D Major | 5 | 10B | 145 BPM | ||
| Thiruvum Meiperulum Aalandhaan | Thiruthuraipoondi Radhakrishnan Pappa, Sirkazhi Govindarajan | A Major | 7 | 11B | 91 BPM | ||
| Namachivaya Ena | Sirkazhi Govindarajan, T. R. Mahalingam | A Major | 5 | 11B | 137 BPM | ||
| Mahamayi Manasu | L. R. Eswari | C Minor | 4 | 5A | 92 BPM | ||
| Adi Yendiyamma | S. Janaki, L. R. Eswari, Kannadasan | F Major | 7 | 7B | 130 BPM | ||
| Isai Thamizh Nee Seida | T. R. Mahalingam, Kannadasan | C Minor | 5 | 5A | 129 BPM | ||
| Kacha Nalla | MANALUR JAYAGOPAL | B♭ Major | 7 | 6B | 66 BPM | ||
| Njanapazhat Hai | K. B. Sundarambal, Kannadasan | G Major | 3 | 9B | 123 BPM | ||
| Sri Saraswati | Maharajapuram Santhanam | D Minor | 3 | 7A | 167 BPM | ||
| Deivathin Deivam | L. R. Eswari | E♭ Major | 5 | 5B | 104 BPM | ||
| Poranthalum | J. P. Chandrababu, L. R. Eswari | E♭ Major | 6 | 5B | 139 BPM | ||
| Unga Appanukkum Pa Pa Pa | T.K.S. Natarajan, S. P. Sailaja | G Major | 4 | 9B | 139 BPM | ||
| Aadum Karagam | L. R. Eswari | E Major | 6 | 12B | 94 BPM | ||
| Sudalai Aattam | Kumari, Suresh Kuzhuvinar | F Major | 6 | 7B | 132 BPM | ||
| Mahalakshmiye | Mahanadi Shobana | G Minor | 7 | 6A | 92 BPM | ||
| Nooraandu Kaalam Vaazhga | Soolamangalam Rajalakshmi, L. R. Eswari, Sarala | F Major | 3 | 7B | 128 BPM |