Carl Millöcker, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke's ' "Der Bettelstudent, Act I: Dialogue" was released on its scheduled release date, September 1, 2014. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Millöcker, Werner Schmidt-Boelcke's "Millocker: Der Bettelstudent" album is number 17 out of 46. On top of that, United States appears to be the country where this track was created. In terms of popularity, Der Bettelstudent, Act I: Dialogue is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Der Bettelstudent, Act I: Dialogue by Carl Millöcker, Symphonieorchester des Bayerischen Rundfunks, Werner Schmidt-Boelcke to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tritsch-Tratsch Polka | 101 Strings Orchestra | A Major | 4 | 11B | 74 BPM | ||
| Jeu d'Esprit, Polka, Op. 196 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 4 | 10B | 174 BPM | ||
| Die Dubarry - operetta: Ob man gefällt | Carl Millöcker, Ingeborg Hallstein, Gunter Kallmann Choir, Orchester Franz Marszalek, Franz Marszalek | B♭ Minor | 2 | 3A | 103 BPM | ||
| Johann Strauss II: Wien bleibt Wien - Marsch | Vienna Walzer Orchestra | D Major | 8 | 10B | 120 BPM | ||
| Gold And Silver Waltz (Gold und Silber/L'or et l'argent) | Franz Lehár, Strauss Festival Orchestra, Peter Guth | C Major | 2 | 8B | 175 BPM | ||
| Snow White: XIV. Prince’s Cavalcade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Pomone, Op. 155 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | E♭ Major | 2 | 5B | 183 BPM | ||
| Offenbach, Rosenthal: Gaîté parisienne: No. 8, Valse (From "Orphée aux enfers") | Jacques Offenbach, Manuel Rosenthal, Herbert von Karajan, Philharmonia Orchestra | D Major | 1 | 10B | 172 BPM | ||
| Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
| Die lustige Witwe, Act I: No. 1, Introduction – Verehrteste Damen und Herren | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
| Smetana: The Bartered Bride: Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 3 | 9B | 90 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 78: No. 2 in E Minor | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 3 | 9B | 90 BPM | ||
| Der Bettelstudent, Act I: "Du bist die Seine?" | Carl Millöcker, Mirko Roschkowski, Erwin Belakowitsch, Linda Plech, Cornelia Zink, Adriane Queiroz, Henryk Bohm, Olaf Plassa, Rupert Bergmann, Alexander Voigt, Daniel Strasser, Steven Scheschareg, Franziska Stanner, Rui dos Santos, Michael Zehe, Yuri Dmytruk, Alexander Joel, Dirk Lohr, Bernd Ander, Mörbisch Festival Choir, Morbisch Festival Orchestra, Uwe Theimer | A Major | 4 | 11B | 82 BPM | ||
| Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Ach, ich hab‘ in meinem Herzen (From "Der schwarze Peter") | Rudolf Schock | B Major | 2 | 1B | 57 BPM | ||
| Castaldo | Rudolf Novacek, Tschechische Philharmonie, Václav Neumann | B Minor | 5 | 10A | 124 BPM | ||
| Die lustigen Dorfschmiede, Op. 218: Die lustigen Dorfschmiede, Op. 218 | Julius Fučík, Neeme Järvi, Royal Scottish National Orchestra | C Major | 2 | 8B | 126 BPM | ||
| Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
| The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | ||
| Bis früh um fünfe | Paul Lincke, Bremer Kaffeehaus-Orchester | D Major | 2 | 10B | 112 BPM | ||
| Hino 13 - Confiemos em Deus | Orquestra Sacra Paulista | A♭ Major | 0 | 4B | 133 BPM | ||
| Symphony No. 1, GMW 11: IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM |