Bablu Ankiya, Sonu Kanwar's ' "Mhari Chokhi Hath Ri Rekha" was released on its scheduled release date, October 12, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Mhari Chokhi Hath Ri Rekha and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Mhari Chokhi Hath Ri Rekha is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mhari Chokhi Hath Ri Rekha by Bablu Ankiya, Sonu Kanwar to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tejal Lilan Singare | Salim Sekhawas, Rajpal Choudhary | A♭ Major | 7 | 4B | 140 BPM | ||
| FEBRUARY | KB Naredi | B Minor | 9 | 10A | 170 BPM | ||
| Banna O Pyaro Lage Pivriyo | Bablu Ankiya, Happy Singh | D Major | 9 | 10B | 90 BPM | ||
| Sali Ri Boli Koyal Jedi | Bablu Ankiya, Sonu Kanwar | B♭ Major | 9 | 6B | 115 BPM | ||
| Me Pidhiyodi Ghordi | Sarita Kharwal, Jai Vaishnav | F♯ Major | 9 | 2B | 90 BPM | ||
| Mere Hatho Me Rekha Nahi Pyar Ki | DG Mawai, Rashmi Nishad | B♭ Minor | 10 | 3A | 114 BPM | ||
| Mara DIL Ki Rani | Mukesh Gurjar Kanpura | E Major | 8 | 12B | 80 BPM | ||
| Punmal Bairi | Rani Rangili | G Major | 9 | 9B | 140 BPM | ||
| Lal Tero Trending Main | Ramu Siradhana | D♭ Minor | 9 | 12A | 135 BPM | ||
| Dhadake Dilldo Maro | Salim Sekhawas, Shilpa Bidawat | A♭ Major | 9 | 4B | 170 BPM | ||
| Balaji Sa Dildar Nahi | Vijay Rajput, Sunil Sharma Dhingadiya | D♭ Major | 9 | 3B | 118 BPM | ||
| Photo Khinch Baalma | Sundar Bishnoi | A♭ Major | 7 | 4B | 102 BPM | ||
| Idani | Sugan Bucheti | B Major | 8 | 1B | 170 BPM | ||
| Gordi Bata Jove Banasa Kad Aao | Suman Chouhan, Akshay Pandit | D♭ Major | 9 | 3B | 90 BPM | ||
| Wari Jau Re Balihari Jau Re | Bablu Ankiya | F♯ Major | 8 | 2B | 170 BPM | ||
| Chang Basuri Fagun Mashup | Balli Mohanwadi, Pooja Dotasara | F♯ Minor | 10 | 11A | 120 BPM | ||
| Sajaniya | Bhungar Khan | C Major | 10 | 8B | 160 BPM | ||
| Udiya Aave Majisa Ra Chir | Sarita Kharwal | B♭ Minor | 9 | 3A | 150 BPM | ||
| Gadi Lyayo Thaar | Sunil Bhati, Sonu Kanwar | F♯ Major | 9 | 2B | 95 BPM | ||
| Majhnu | Rani Rangili | A Major | 9 | 11B | 80 BPM | ||
| Do Din Ri Jindgani | Mohan Saran, Pushpa Choudhary | A Major | 9 | 11B | 170 BPM | ||
| Jarmar Nimdi | Ladu Gurjar | A♭ Major | 8 | 4B | 110 BPM | ||
| Jmd King | Rahul Gurjar | A Minor | 9 | 8A | 140 BPM | ||
| Tharo so duppto chhori mahro hoto | Rajpal Bhati, Budhram badlwas | G Major | 10 | 9B | 120 BPM | ||
| Kisano Khatir Ladte Beniwal Ko Ho Gaye Sal 25 | Gajendra Ajmera | E♭ Minor | 10 | 2A | 132 BPM |