"Come To The Lake" by Wendy Rule had its release date on 2003. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "The Lotus Eaters". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Australia. In terms of popularity, Come To The Lake is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Come To The Lake by Wendy Rule having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blodeuwedd | Damh The Bard | E Minor | 2 | 9A | 140 BPM | ||
| Obsession | Damh The Bard | D Major | 3 | 10B | 115 BPM | ||
| Persephone | Stellamara | D♭ Major | 7 | 3B | 111 BPM | ||
| The Infinite Shore | Gary Stadler, Wendy Rule | D Major | 1 | 10B | 112 BPM | ||
| Song to Brighid | Lisa Thiel | F Minor | 3 | 4A | 79 BPM | ||
| Hollow | Wendy Rule | E Minor | 0 | 9A | 107 BPM | ||
| Feathers in the Sky | ATMAEN | D♭ Minor | 1 | 12A | 70 BPM | ||
| Hymn to the Muse | Layne Redmond | A♭ Major | 4 | 4B | 157 BPM | ||
| The Lady of the Lake | Elaine Silver | A Minor | 5 | 8A | 148 BPM | ||
| Aphrodite's Daughters | KIVA | E Minor | 4 | 9A | 86 BPM | ||
| Underworld Queen | Wendy Rule | D Minor | 2 | 7A | 88 BPM | ||
| Goddess of Samhain | Inkubus Sukkubus | A Major | 5 | 11B | 100 BPM | ||
| Ostara Maiden of Spring | Flora Ware | A♭ Major | 1 | 4B | 107 BPM | ||
| Wake Skadi | Hagalaz' Runedance | D Major | 7 | 10B | 113 BPM | ||
| Sealwoman / Yundah | Mary McLaughlin | A Minor | 3 | 8A | 71 BPM | ||
| Hymn to Brighid | Eldin | G Major | 2 | 9B | 81 BPM | ||
| Of Dreams Forgotten and Fables Untold | The Moon & The Nightspirit | A Minor | 4 | 8A | 98 BPM | ||
| The Earth, the Air, the Fire, the Water | Libana | F♯ Major | 1 | 2B | 100 BPM | ||
| Gaia | Jana Runnalls | B♭ Minor | 1 | 3A | 175 BPM | ||
| Re 417 Hz | Timothy Van Diest, Wendy Rule | G Minor | 2 | 6A | 80 BPM | ||
| A Night In Fairyland | Narsilion | F♯ Minor | 4 | 11A | 153 BPM | ||
| The Mystic's Dream | Loreena McKennitt | G Major | 4 | 9B | 111 BPM | ||
| We Are the Old Ones | Flight of the Hawk | F Major | 0 | 7B | 120 BPM | ||
| Hekate | Aleksis Tristan Shaw | A Minor | 2 | 8A | 84 BPM | ||
| Echo | Helisir | D Major | 1 | 10B | 130 BPM |