"Tomorrow Belongs To Me" by Dominic Lewis had its release date on December 30, 2016. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Tomorrow Belongs To Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Man In The High Castle: Season 2 (Music From The Amazon Original Series)". In this album, this song's track order is #15. In terms of popularity, Tomorrow Belongs To Me is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tomorrow Belongs To Me by Dominic Lewis having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Final Battle/Sgt. MacKenzie | Joseph Kilna MacKenzie, Nick Glennie-Smith | C Minor | 2 | 5A | 143 BPM | ||
| Jablotschko | Stephan Zacharias | E Minor | 5 | 9A | 140 BPM | ||
| Russia (The Atomic Era) | Geoff Knorr, Phill Boucher | E Minor | 4 | 9A | 104 BPM | ||
| Hymn to Red October | Basil Poledouris, Philharmonic Wind Orchestra, Prague Chamber Choir, Marc Reift | G Minor | 3 | 6A | 83 BPM | ||
| Pride (In The Name Of Love) - From "The Man In The High Castle" | Lxandra | E Major | 6 | 12B | 104 BPM | ||
| Vide Cor Meum | Patrick Cassidy, Anthony Hopkins, Danielle de Niese, Bruno Lazzaretti, Libera, The Lyndhurst Orchestra, Gavin Greenaway | A Major | 2 | 11B | 84 BPM | ||
| Christmas Magic | Dominic Lewis | G Minor | 0 | 6A | 84 BPM | ||
| Let the War Begin | Peter Nashel, Eric V. Hachikian | D♭ Major | 3 | 3B | 119 BPM | ||
| Hush - Theme From Turn | Joy Williams, Matt Berninger | C Major | 4 | 8B | 135 BPM | ||
| Forever (Rome Total War) | Jeff van Dyck, Angela van Dyck | F♯ Major | 8 | 2B | 92 BPM | ||
| Gravity | Steven Price | A♭ Minor | 3 | 1A | 93 BPM | ||
| Past Life Melodies | The American Boychoir | D Major | 1 | 10B | 86 BPM | ||
| Bonny Portmore - From Turn | Laura Marling, Jonathan Wilson | C Major | 1 | 8B | 133 BPM | ||
| Martha / Act 2: Last Rose of Summer | Friedrich von Flotow, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 1 | 7B | 76 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| Under the Iron Sky | Laibach | G Major | 5 | 9B | 122 BPM | ||
| Unearthed | Jo Blankenburg | D♭ Major | 2 | 3B | 75 BPM | ||
| Where Lost Boys Go | Dan Romer, Benh Zeitlin | A Major | 1 | 11B | 140 BPM | ||
| Promentory | Trevor Jones | G Major | 2 | 9B | 86 BPM | ||
| Crusade | Immediate | F Minor | 4 | 4A | 72 BPM | ||
| Rendezvous | Matt Morton | G Minor | 4 | 6A | 99 BPM | ||
| Kangaru | Jóhann Jóhannsson | B♭ Major | 2 | 6B | 83 BPM | ||
| Ben Bulben | Patrick Cassidy | D♭ Major | 0 | 3B | 107 BPM | ||
| If I Had Words - Version Two | Nigel Westlake | G Major | 2 | 9B | 102 BPM | ||
| First Journey | Nick Cave & Warren Ellis | C Major | 4 | 8B | 114 BPM |