On January 1, 1989, the song "African Boy" was released by Malcolm X. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 6 out of 6 in Azania by Malcolm X. Going off of the ISRC code of this track, we detected that the origin of this track is from South Africa. In terms of popularity, African Boy is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of African Boy by Malcolm X is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Long-Haired Boy | Shel Silverstein | D Major | 2 | 10B | 130 BPM | ||
| Right in the Middle of No-Where | Children's Bedtime Stories | D♭ Major | 2 | 3B | 49 BPM | ||
| Its just my | Richy Rich | G Major | 4 | 9B | 142 BPM | ||
| Gaps in the Doing | Eckhart Tolle | A Major | 2 | 11B | 103 BPM | ||
| True Coworker Horror Stories, Pt. 9 | Mr. Nightmare | D♭ Major | 5 | 3B | 86 BPM | ||
| Blessings Reign | Essien Majek | B♭ Major | 7 | 6B | 133 BPM | ||
| Refuge (Spoken) | Brian Hardin | C Major | 2 | 8B | 116 BPM | ||
| No Sell Out - 7" Promo Vocal Version | Malcolm X | B♭ Minor | 6 | 3A | 102 BPM | ||
| Code Blue | Ali Siddiq | A♭ Minor | 5 | 1A | 124 BPM | ||
| Fairytale Worlds, Pt. 2 | Paul the Dreamtraveler | C Major | 2 | 8B | 54 BPM | ||
| Ultimate Success | Matthew Rix | A♭ Minor | 3 | 1A | 60 BPM | ||
| Better Off Alone | Essien Majek | B♭ Major | 7 | 6B | 150 BPM | ||
| Testing the Secret | Earl Nightingale | D♭ Major | 3 | 3B | 81 BPM | ||
| Affluence In Christ | Essien Majek | F♯ Major | 4 | 2B | 137 BPM | ||
| Ego & The Search For Meaning | Spiritual Unfoldment with John Butler | D♭ Major | 1 | 3B | 80 BPM | ||
| Kno It | Malcolm X | F Minor | 2 | 4A | 160 BPM | ||
| Victorian London, Pt. 10 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| Capítulo 23.2 & Capítulo 24 & Capítulo 25 & Capítulo 26 & Capítulo 27.1 - Fale tudo em inglês | Disal Editora | F♯ Minor | 7 | 11A | 85 BPM | ||
| Famous Last Words (feat. Thomas Edison, Winston Churchill, Malcolm X & Beethoven) | Gigagroove, Thomas Edison, Winston Churchill, Malcolm X, Ludwig van Beethoven | F♯ Minor | 2 | 11A | 152 BPM | ||
| Who's Listening | RA SET, Malcolm X, DR JOHN HENRIK CLARK, DR KHALED MUHAMMAD | B Minor | 9 | 10A | 102 BPM | ||
| Crime By Blacks | Malcolm X | B Major | 5 | 1B | 83 BPM | ||
| Why Ask Why | Dekunsa | D Major | 4 | 10B | 53 BPM | ||
| Revelations | K.A.Y.O Da Konspiracy, Mic Maliss, Malcolm X | F Minor | 2 | 4A | 160 BPM | ||
| Just Like U (feat. Malcom X) | Playboi, Malcolm X | D Major | 3 | 10B | 110 BPM | ||
| Where We Are Going | Matthew Rix | D♭ Major | 3 | 3B | 169 BPM |