Rajkishan Agwanpuriya's ' "Mere Jigar Main Khatak Sey Aek" was released on its scheduled release date, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Kissa - Hira Mal Jamal (Vol. 1, 2, 3 & 4)" album is number 6 out of 26. On top of that, France appears to be the country where this track was created. Mere Jigar Main Khatak Sey Aek is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Mere Jigar Main Khatak Sey Aek by Rajkishan Agwanpuriya to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaam Ka Dunda Thaa De Ri | Krishan Juen Wala | D♭ Minor | 8 | 12A | 111 BPM | ||
| Bistar Pe Tey Chala Re Utth Ke Aawna Lagya Tiwala | Vikash Passoria | A Major | 9 | 11B | 141 BPM | ||
| Bheem Dehlayo Taal | Brijesh Kumar Shastri | B♭ Major | 7 | 6B | 138 BPM | ||
| Kathiyaaga Unthanai | A.Parthasarathy Poosaari | E♭ Minor | 7 | 2A | 110 BPM | ||
| kalara ch thada bajda | Ashu Verma | E♭ Major | 8 | 5B | 94 BPM | ||
| Aisa Damru Bajaya Bholenath Ne | The Bundeli Artists | B Minor | 6 | 10A | 136 BPM | ||
| Tera Khub Sajaya Darbar Ma Kali | Mukesh Sharma | E♭ Major | 10 | 5B | 128 BPM | ||
| Ho Puran Mal Bete Ki Jaan Khove Ga | Azad Singh | F Major | 4 | 7B | 98 BPM | ||
| Khol Ke Kiwad Bad Gaya Bhabhi | Rajender Singh Kharkiya, Madhu Sharma | E Minor | 7 | 9A | 113 BPM | ||
| Golu Devta Jagar - Pahadi | Heera Lal | A Major | 6 | 11B | 131 BPM | ||
| Re Buggi Datiye | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | A Minor | 5 | 8A | 85 BPM | ||
| Ek Thi Daru Do Batlaye | Azad Singh | E♭ Major | 0 | 5B | 114 BPM | ||
| Somwati Subh Naam Mera | Rajkishan Agwanpuriya | B Major | 5 | 1B | 99 BPM | ||
| Tere Ghat me viraje bhagwan sant Rajuram | Sant Rajuram Ji | B Major | 7 | 1B | 101 BPM | ||
| Sona Indhoni Rupa Bedalu | Amit Dhorda | F♯ Major | 5 | 2B | 108 BPM | ||
| Baint- Sikh Dhadhi | Dhadhi Jathan | F♯ Major | 7 | 2B | 81 BPM | ||
| Raj Chod Karya | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Balaji Mera Dagmag Dole Gaat | Narendra Kaushik | F♯ Minor | 9 | 11A | 162 BPM | ||
| Sharda Bhavani Maa Nihariyo Bundeli Dharmik Rai | Raju Patel | A♭ Major | 8 | 4B | 85 BPM | ||
| Shabd Saar Hai Jeevan | Bhagat Ramniwas Ji | F Major | 7 | 7B | 127 BPM | ||
| Keniya Se Aaveli Kaari Re Badariya | Madan Rai | G Major | 5 | 9B | 119 BPM | ||
| Bundeli Chhand Bhaaag | Soniya Studio, Ramrati kushwaha, mohan kushwaha | F♯ Minor | 5 | 11A | 111 BPM | ||
| Maa(Jaagar)Maa Ambika | Preetam Bhartwan | A♭ Major | 5 | 4B | 136 BPM | ||
| Teri Saran Me Aagya Baba | Sumit Kalanaur | B Major | 9 | 1B | 118 BPM | ||
| Rea Buggi Datia | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Minor | 7 | 8A | 84 BPM |