"False Alarm" by John Williams had its release date on 1977. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 26 in Close Encounters Of The Third Kind by John Williams. Based on our statistics, False Alarm's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of False Alarm by John Williams is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Set Course for Home | Jay Chattaway | A Major | 0 | 11B | 78 BPM | ||
| Birth | Marc Streitenfeld | C Major | 1 | 8B | 128 BPM | ||
| Stromwell Tricks Batman / Thorn's Men Move In / Thorn Chases Stromwell - From The Episode "It's Never Too Late" | Lolita Ritmanis | C Major | 2 | 8B | 143 BPM | ||
| Final Struggle and Triumph | Angela Morley | C Major | 3 | 8B | 115 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| The Indianapolis Story - From The "Jaws" Soundtrack | John Williams | B Minor | 0 | 10A | 81 BPM | ||
| Journey To Blofeld's Hideaway - From “On Her Majesty’s Secret Service” Soundtrack / Remastered 2003 | John Barry | D Major | 1 | 10B | 60 BPM | ||
| Rura Penthe - Star Trek VI/Soundtrack Version | Cliff Eidelman | D♭ Major | 0 | 3B | 112 BPM | ||
| "10 Haunted Hotels" | Gabriel Yared | G Major | 6 | 9B | 91 BPM | ||
| Dining On Ashes - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Minor | 0 | 6A | 67 BPM | ||
| Sarah Dream - Remastered 2017 | Brad Fiedel | D♭ Major | 3 | 3B | 79 BPM | ||
| Not Gifted | Kevin Kiner | D Major | 9 | 10B | 160 BPM | ||
| Terminator Impaled - Remastered 2017 | Brad Fiedel | D♭ Major | 2 | 3B | 130 BPM | ||
| Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" | Leonard Rosenman, Cliff Eidelman, Seattle Symphony Orchestra | G Minor | 3 | 6A | 108 BPM | ||
| Dazed | Marc Streitenfeld | E Minor | 1 | 9A | 83 BPM | ||
| The Broken Hoof | Wilbert Roget, II | D Major | 0 | 10B | 71 BPM | ||
| Thank You | Sara Baghirova, Sara Bag | B♭ Major | 1 | 6B | 80 BPM | ||
| Planting The Seed | Marc Streitenfeld | F♯ Major | 5 | 2B | 174 BPM | ||
| Dooku Speaks With Jabba | Kevin Kiner | F♯ Minor | 5 | 11A | 148 BPM | ||
| Into the Hole - Score Version | John Barry | D Minor | 3 | 7A | 93 BPM | ||
| Trevor's Lair | Roque Baños | D Major | 0 | 10B | 68 BPM | ||
| Where Are We | Gordy Haab | E♭ Major | 2 | 5B | 76 BPM | ||
| The Orchid | Jeff Russo | G Major | 2 | 9B | 91 BPM | ||
| The Ferry Scene - Original Motion Picture Soundtrack | John Williams | F Minor | 4 | 4A | 100 BPM | ||
| The Well of the Souls | John Williams, London Symphony Orchestra | E Minor | 1 | 9A | 121 BPM |