コロンビア交響楽団's 'バレエ音楽「ペトルーシュカ」 第4場 仮面をつけた人々' had a release date set for February 8, 2022. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. バレエ音楽「ペトルーシュカ」 第4場 仮面をつけた人々's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ストラヴィンスキー バレエ音楽「春の祭典」「ペトルーシュカ」, so we believe that "バレエ音楽「ペトルーシュカ」 第4場 仮面をつけた人々" is a single. The popularity of バレエ音楽「ペトルーシュカ」 第4場 仮面をつけた人々 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of バレエ音楽「ペトルーシュカ」 第4場 仮面をつけた人々 by コロンビア交響楽団 is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto per violino N.2 in E Major, G44: Adagio | Giovanni Battista Viotti, Martha Carfi, Luis Michal, Bayerisches Kammerorchester München | A Major | 1 | 11B | 170 BPM | ||
| Life and Works of Mozart: Piano Concerto No. 8 in B flat, K.238 | Nicholas Boulton, Jeremy Siepmann | B♭ Major | 1 | 6B | 103 BPM | ||
| Semele, HWV 58, Act III: Overture | George Frideric Handel, English Chamber Orchestra, John Nelson | D Major | 0 | 10B | 57 BPM | ||
| Symphony in C: 1. Allegro (Allegro vivo) | Georges Bizet, Orchestre National De France, Jean Martinon | G Major | 2 | 9B | 147 BPM | ||
| 莫札特,薩爾茲堡嬉遊曲,作品 Kv 136,快板 | 台北愛樂管弦樂團, 亨利梅哲 | A♭ Major | 1 | 4B | 103 BPM | ||
| Sinfonia in A Major, WolS I. A-3: I. Allegro assai | Johann Stamitz, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh | F Major | 1 | 7B | 205 BPM | ||
| Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": II. Andante | Joseph Haydn, Herbert von Karajan, Berliner Philharmoniker | A Major | 1 | 11B | 110 BPM | ||
| Omphale, Acte I: Ouverture | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra | A Major | 1 | 11B | 110 BPM | ||
| Serenade in G Major, K. 525 ('Eine Kleine Nachtmusik'; 'A Little Night Music'): iii. Menuetto: Allegretto | Mozart, I Solisti di Zagreb, Antonio Janigro | D Major | 3 | 10B | 121 BPM | ||
| Eine Kleine Nachtmusik K.525 | Philharmonic Orchestra of Mexico | C Major | 1 | 8B | 64 BPM | ||
| Symphony No. 1 in D Major, Op. 23: III. Menuetto. Moderato | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | A Major | 0 | 11B | 131 BPM | ||
| Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | B♭ Major | 1 | 6B | 141 BPM | ||
| Horn Concerto No. 2 in E Flat Major, TrV. 283: Allegro | Richard Strauss, Ronald Janezic, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 77 BPM | ||
| Welcome The King | Magic Philharmonic Orchestra | D Major | 1 | 10B | 123 BPM | ||
| シューベルト:交響曲第5番変ロ長調D.485-第1楽章 | コロンビア交響楽団 | D♭ Major | 1 | 3B | 87 BPM | ||
| Theme and Variations in F Major, Op. 97: Theme | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | F Major | 0 | 7B | 148 BPM | ||
| バレエ音楽「火の鳥」(1910年全曲版)より [第2場] カスチェイの城と魔法の消滅ー石の騎士たちの復活ー大団円 | コロンビア交響楽団 | D Major | 1 | 10B | 130 BPM | ||
| Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | B♭ Major | 0 | 6B | 70 BPM | ||
| Overture to the Marriage of Figaro | Olive the Otter Dog | D Major | 0 | 10B | 135 BPM | ||
| Der Fischer und das Milchmädchen: VI. Air de Chassé par Écho | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 115 BPM | ||
| Symphony in A-Flat Major, Bryan Ab1: IV. Finale: Allegro molto | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
| 莫扎特:小步舞曲 | 新雅室內樂 | G Major | 1 | 9B | 146 BPM | ||
| Der Fischer und das Milchmädchen: XIX. Pas seul | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 68 BPM | ||
| Overture in D Major, Op. 8, No. 6: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 1 | 9B | 106 BPM | ||
| 歌劇「フィガロの結婚」序曲 | ブルーノ・ワルター, コロンビア交響楽団 | D Major | 1 | 10B | 130 BPM |