"動物の謝肉祭 おんどりめんどり" by ニューヨーク フィルハーモニック had its release date on February 8, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in サン・サーンス 動物の謝肉祭 プロコフィエフ ピーターと狼, so we believe that "動物の謝肉祭 おんどりめんどり" is a single. Based on our statistics, 動物の謝肉祭 おんどりめんどり's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 動物の謝肉祭 おんどりめんどり by ニューヨーク フィルハーモニック is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ドヴォルザーク:交響曲第8番 ト長調 作品88;第1楽章 アレグロ・コン・ブリオ | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 1 | 9B | 135 BPM | ||
| 組曲〈動物の謝肉祭〉より白鳥 | ニューヨーク フィルハーモニック | G Major | 1 | 9B | 86 BPM | ||
| 動物の謝肉祭-水族館 | ニューヨーク フィルハーモニック | D Major | 2 | 10B | 83 BPM | ||
| ホルン協奏曲 第3番 変ホ長調 K.447 第2楽章:ロマンツァ.ラルゲット | 千葉馨, NHK Symphony Orchestra | A♭ Major | 0 | 4B | 75 BPM | ||
| Variations On An Original Theme (enigma), Op. 36 | Edward Elgar, London Symphony Orchestra, Eduardo Mata | C Minor | 0 | 5A | 67 BPM | ||
| 交響曲 第40番 ト短調 K.550 第2楽章 アンダンテ | Wolfgang Amadeus Mozart, リボル・ペシェック, チェコ・ナショナル交響楽団 | E♭ Major | 0 | 5B | 96 BPM | ||
| Symphony No. 4 in C minor, D. 417 "Tragic" I. Adagio molto; Allegro vivace | Franz Schubert, Paavo Järvi, The Deutsche Kammerphilharmonie Bremen | C Minor | 1 | 5A | 139 BPM | ||
| ビゼー:組曲「カルメン」~闘牛士の行進 | ニューヨーク フィルハーモニック | A Major | 6 | 11B | 111 BPM | ||
| ファリャ: バレエ《三角帽子》 〜粉屋の踊り | Manuel de Falla, Jean Fournet, Czech Philharmonic Chamber Orchestra | A Major | 2 | 11B | 79 BPM | ||
| Symphony No. 1 in B Flat Major, Op. 38 "Spring": II. Larghetto | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | F Major | 0 | 7B | 107 BPM | ||
| Overture to the Opera Taras Bulba: Sostenuto e maestoso - Allegro non troppo | Mykola Lysenko, Beethoven Orchester Bonn, Stefan Blunier | C Minor | 3 | 5A | 167 BPM | ||
| Symphony No. 6 in D Major, Op. 56: I. Allegro non troppo | Franz Paul Lachner, Evergreen Symphony Orchestra, Gernot Schmalfuss | B Minor | 1 | 10A | 93 BPM | ||
| Symphony No. 2 in C, Op. 61: 2. Scherzo: Allegro vivace | Robert Schumann, Berliner Philharmoniker, James Levine | G Major | 2 | 9B | 133 BPM | ||
| 歌劇「フィガロの結婚」序曲 | Marcello Rota, チェコ・ナショナル交響楽団 | D Major | 2 | 10B | 129 BPM | ||
| Saint-Saëns: Symphony No. 1 in E-Flat Major, Op. 2: III. Adagio | Camille Saint-Saëns, Georges Prêtre, Wiener Symphoniker | E Major | 0 | 12B | 86 BPM | ||
| Polovtsian Dances from Prince Igor: IV. Allegro | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 177 BPM | ||
| Flis: Uwertura i Chór (Pędzą chmury, zcichły grzmoty) | Stanisław Moniuszko, Chór Filharmonii Narodowej, Orkiestra Filharmonii Narodowej, Zdzisław Górzyński | A Minor | 4 | 8A | 123 BPM | ||
| 交響曲 第40番 ト短調 K.550 第4楽章 アレグロ・アッサイ | Wolfgang Amadeus Mozart, リボル・ペシェック, チェコ・ナショナル交響楽団 | G Minor | 3 | 6A | 133 BPM | ||
| Miške, MKČ 101: IV. Development, a tempo I | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Serenade for Strings in C, Op. 48: 3. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 69 BPM | ||
| Schubert: Rosamunde, Op. 26, D. 797: Overture from Die Zauberharfe, D. 644 | Franz Schubert, Bavarian Radio Symphony Orchestra, Robert Heger | C Major | 2 | 8B | 126 BPM | ||
| Giselle - Act 2: No. 11 Apparition de Giselle: a) Allegretto assai vivo | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | C Major | 3 | 8B | 86 BPM | ||
| Piano Concerto No. 1: III. Allegro non troppo | Vittorio Rieti, Alessandro Marangoni, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | C Major | 3 | 8B | 131 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Rossini: La Cenerentola: Overture | Gioachino Rossini, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 147 BPM |