Omkar Havaldar, Rutuja Lad, Bindhumalini, Chow Yiu-Fai, Kimho Ip, Kedarnath Havaldar's 'When the New Century Comes' had a release date set for November 19, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Re/Semblance: Saath-Saath". In this album, this song's track order is #1. In terms of popularity, When the New Century Comes is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With When the New Century Comes by Omkar Havaldar, Rutuja Lad, Bindhumalini, Chow Yiu-Fai, Kimho Ip, Kedarnath Havaldar having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vasudev Prarthna-Karar Vinde Padarvindam-Balkrishna Stuti | Nidhi Dholakia | B♭ Major | 3 | 6B | 88 BPM | ||
| Srirudrashtakam; Goswami Tulsidas (Raga Kedar) | Pandit Chhannulal Mishra | E♭ Major | 5 | 5B | 141 BPM | ||
| Swami Samarth Stavan | Dhanashree Deshpande | B♭ Major | 2 | 6B | 138 BPM | ||
| Shiv Song | Soniyaa Bhattacharya | E Minor | 7 | 9A | 150 BPM | ||
| Krishnashtakam | Ashit Desai, Sanjeev Abhyankar, Hema Desai, Alap Desai | A Major | 5 | 11B | 141 BPM | ||
| Hari Mhana | Rahul Vellal | E♭ Major | 3 | 5B | 140 BPM | ||
| Thumak Chalat Ramchandra | Amrita Chaturvedi, Upadhyay | D Major | 5 | 10B | 82 BPM | ||
| Sri Rathna Garbha Ganapathi Stothram | Bombay Sisters | E Minor | 7 | 9A | 145 BPM | ||
| Lakshmi Mata Aarti Hindi | Sayali Mahadik | F♯ Minor | 4 | 11A | 100 BPM | ||
| Guru Arti | Jagadguru Shri Kripalu Ji Maharaj, Grace Lewis | F♯ Minor | 6 | 11A | 174 BPM | ||
| Sundar Gopalam | Devaki Pandit | D Major | 4 | 10B | 138 BPM | ||
| Ananda Natana Prakasham | Sounds of Isha | B Major | 1 | 1B | 134 BPM | ||
| Jai Shiv Omkara | Nitin Mukesh | F♯ Major | 7 | 2B | 98 BPM | ||
| Raghupathi Raghava | Priya, Subhiksha Rangarajan | C Minor | 4 | 5A | 179 BPM | ||
| Sita Ram ji ki Pyari Rajdhani Lage (Live) | Pujya Prembhushanji Maharaj | B♭ Minor | 9 | 3A | 141 BPM | ||
| Sun Radhika Dulari | Indresh Upadhyay | F♯ Major | 8 | 2B | 105 BPM | ||
| Natha Ghari Nache Maza Sakha Pandurang | Mahesh Kale | F♯ Minor | 8 | 11A | 100 BPM | ||
| Traipureem Sundareem | Sri Ganapathy Sachchidananda Swamiji | D♭ Major | 8 | 3B | 115 BPM | ||
| Tya Trishula Samati | Pt. Dr. Parag Choudhari, Meenakshi Parag Choudhari | A Minor | 7 | 8A | 84 BPM | ||
| Krishna Pranat Pal Prabhu | Jagjit Singh | C Minor | 5 | 5A | 176 BPM | ||
| Shree Devi Aparadh Kshamapana Stotram ( Durga Saptashati ) | Sadhana Sargam | E♭ Major | 3 | 5B | 128 BPM | ||
| He Hari Hari, Prabhu Karuna | Baps Swaminarayan Sanstha | A Major | 4 | 11B | 85 BPM | ||
| Narayana Narayana Jai | Swami Haridhos Giri Guruji | B♭ Major | 4 | 6B | 171 BPM | ||
| Maha Sudarshana Mantram | Bhandhavi | A♭ Minor | 3 | 1A | 82 BPM | ||
| Hinglaj Chalisa | Vijay Jogia | A♭ Minor | 6 | 1A | 82 BPM |