Les Jazz Modes, Charlie Rouse, Eileen Gilbert, Gildo Mahones, Janet Putman, Julius Watkins, Paul Chambers, Ron Jefferson's ' "You Are Too Beautiful" was released on its scheduled release date, May 26, 1998. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Les Jazz Modes's "Les Jazz Modes" album is number 10 out of 16. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, You Are Too Beautiful is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of You Are Too Beautiful by Les Jazz Modes, Charlie Rouse, Eileen Gilbert, Gildo Mahones, Janet Putman, Julius Watkins, Paul Chambers, Ron Jefferson to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Algoritmos de la aguja magnética | Piolet electrónico | G Minor | 5 | 6A | 101 BPM | ||
| Carvon | Curtis Fuller | A♭ Major | 5 | 4B | 100 BPM | ||
| Returns | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM | ||
| Luz de terciopelo | Zypheron | E♭ Major | 3 | 5B | 156 BPM | ||
| Absolutely | Dan Crisci | D♭ Major | 3 | 3B | 131 BPM | ||
| Nobody's Heart | Gil Evans | E Major | 0 | 12B | 59 BPM | ||
| Turned Out Fine | Modanova | B♭ Major | 1 | 6B | 70 BPM | ||
| The Wind Hums in B Flat | Vivandis | B♭ Major | 2 | 6B | 80 BPM | ||
| Just Blue | The Don Rendell / Ian Carr Quintet | C Minor | 2 | 5A | 116 BPM | ||
| The Gentle Mind | Pause maybe? | C Minor | 1 | 5A | 169 BPM | ||
| She Laughed at Everything | Moss & Marrow | F Minor | 1 | 4A | 107 BPM | ||
| Letters | Kenneth James Trio | E♭ Major | 0 | 5B | 55 BPM | ||
| Trusano | Blue Rectangles | C Minor | 1 | 5A | 88 BPM | ||
| Night Ends | Nordic Jazz Club | F Major | 1 | 7B | 142 BPM | ||
| Every Shape of Pause | Fifth Window | F Minor | 1 | 4A | 217 BPM | ||
| The Cotton Club Stomp | diana cole | F Minor | 3 | 4A | 97 BPM | ||
| Ash and Shadow | Vallea | E Minor | 2 | 9A | 84 BPM | ||
| The Brookline Stop | Kenneth James Trio | E♭ Major | 0 | 5B | 55 BPM | ||
| The Scribe | Salma Del Sol | B Major | 3 | 1B | 183 BPM | ||
| Shoreline Promontory | BitSwing | E♭ Major | 0 | 5B | 92 BPM | ||
| The Spirit | AethericArtisan | A Minor | 2 | 8A | 115 BPM | ||
| The New AGE | AGE, Gustav Lundgren, Adrien Sanchez, Édouard Pennes, Jean Dousteyssier, Guilhem Flouzat, Maxime Sanchez | E♭ Major | 0 | 5B | 55 BPM | ||
| Storyboard Forge | BitSwing | C Minor | 0 | 5A | 80 BPM | ||
| Barrel Roast Club | Moonphone | A♭ Major | 3 | 4B | 114 BPM | ||
| I Know That You Know | Milt Hinton | C Major | 1 | 8B | 140 BPM |