"Jean-Philippe Rameau: Fetes d’Hebe: (selections)" by Jean-Philippe Rameau, Hartford Symphony Orchestra, Fritz Mahler had its release date on November 25, 2014. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Jean-Philippe Rameau: Fetes d’Hebe: (selections)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 129 in Big Baroque Box, Vol III by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Jean-Philippe Rameau: Fetes d’Hebe: (selections) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jean-Philippe Rameau: Fetes d’Hebe: (selections) by Jean-Philippe Rameau, Hartford Symphony Orchestra, Fritz Mahler is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Oboe Concerto in E Minor, TWV 51:e1: I. Andante | Georg Philipp Telemann, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | E Minor | 2 | 9A | 74 BPM | ||
| Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile | Joseph Haydn, Sebastian Knauer, Kolner Kammerorchester, Helmut Müller-Brühl | F♯ Minor | 3 | 11A | 178 BPM | ||
| Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
| Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM | ||
| Nocturne No. 5 in B-Flat Major, H 37 | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 70 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
| Keyboard Sonata in C Major, C. 14: I. Andantino | Domenico Cimarosa, Stefano Miceli | C Major | 1 | 8B | 108 BPM | ||
| Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
| Serenade for Strings in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, United Strings of Europe, Julian Azkoul | C Major | 2 | 8B | 107 BPM | ||
| Vaughan Williams: 6 Studies in English Folk-Song: No. 1, Adagio | David Parkhouse, Eileen Croxford | A Minor | 1 | 8A | 92 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: VI. Menuets 1 Et 2 (Alternativement) | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 168 BPM | ||
| Trois petites pièces: Clair de Lune | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Minor | 0 | 4A | 81 BPM | ||
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: IV. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Lully: Ballet des muses, LWV 32: Air. "Trop indiscret Amour" (Euridice) | Jean-Baptiste Lully, Les Arts Florissants, William Christie, Sophie Daneman | F Minor | 1 | 4A | 71 BPM | ||
| Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM | ||
| Violin Sonata No. 2 in Dorian Mode, C. 139: III. Variatio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
| Prélude, fugue & variation, Op. 18: I. Prélude | César Franck, Alice Ader, Ensemble Ader | B♭ Major | 0 | 6B | 168 BPM | ||
| Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM |