Chris Weisman's 'Contact High' had a release date set for February 7, 2011. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Contact High's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Transparency". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Contact High is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Contact High by Chris Weisman having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Untitled in Dusseldorf (Demo) | Stereolab | D Minor | 3 | 7A | 137 BPM | ||
| The Water Is Wide | The Microphones | G Minor | 3 | 6A | 129 BPM | ||
| So Far Gone | Kitty Craft | A Major | 5 | 11B | 103 BPM | ||
| Caleidoscopic Gaze (Demo) | Stereolab | F♯ Minor | 2 | 11A | 121 BPM | ||
| Mecânica Celeste Aplicada | Yonlu | A Major | 3 | 11B | 116 BPM | ||
| Hurley | Pinback | D♭ Major | 6 | 3B | 172 BPM | ||
| Formula | Panchiko | D Major | 5 | 10B | 80 BPM | ||
| Feature Dana | Chris Weisman | C Major | 6 | 8B | 74 BPM | ||
| sorrow | Lil Darkie | D♭ Minor | 5 | 12A | 102 BPM | ||
| holding on | sean trelford | D♭ Major | 2 | 3B | 95 BPM | ||
| Lula Boat | Lotte Kestner | A Major | 2 | 11B | 80 BPM | ||
| The Gloating Sun | The Shins | A♭ Minor | 5 | 1A | 106 BPM | ||
| the rain | lots of hands | D♭ Major | 1 | 3B | 141 BPM | ||
| Get Off the Internet | The Microphones | G Major | 1 | 9B | 85 BPM | ||
| Almost Fantasy | Fog Lake | E Major | 1 | 12B | 76 BPM | ||
| 100 Years 2: 200 Years | Antarctigo Vespucci | A Major | 2 | 11B | 111 BPM | ||
| Time Tryeth Truth | Current 93 | E Minor | 3 | 9A | 120 BPM | ||
| The Duke Is Gone | Chuck Senrick | A Minor | 4 | 8A | 95 BPM | ||
| Voices Broke | Bug Eater | B Minor | 10 | 10A | 128 BPM | ||
| 9 | Dean Blunt, Panda Bear | F Minor | 3 | 4A | 113 BPM | ||
| Turnstyle | Chris Weisman | A Minor | 2 | 8A | 166 BPM | ||
| Built to Last | Hollow Ship | G Major | 4 | 9B | 86 BPM | ||
| You Could Be Love - Bonus Track | TV On The Radio | B Minor | 1 | 10A | 150 BPM | ||
| Bass Drum Dream | The Microphones | G Major | 6 | 9B | 95 BPM | ||
| Return to Cherry | Part Time | E Minor | 2 | 9A | 104 BPM |