- BPM
- 70
- Key
- B♭ Major
- Camelot
- 6B
Three Intermezzi, Op. 13: II. Allegro agitato by Charles Villiers Stanford, Michael Collins, Michael McHale Song Details
Charles Villiers Stanford, Michael Collins, Michael McHale's 'Three Intermezzi, Op. 13: II. Allegro agitato' had a release date set for September 13, 2024. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Three Intermezzi, Op. 13: II. Allegro agitato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in English Music for Clarinet by Michael Collins, Michael McHale. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Three Intermezzi, Op. 13: II. Allegro agitato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Three Intermezzi, Op. 13: II. Allegro agitato by Charles Villiers Stanford, Michael Collins, Michael McHale is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -28.507 dB
- Acousticness
- 99%
- Danceability
- 16%
- Energy
- 2%
- Instrumentalness
- 90%
- Liveness
- 9%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 22%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 135 BPM | |
 | All-Night Vigil, Op.37: All-Night Vigil, Op.37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Paul Hillier | C Major | 0 | 8B | 77 BPM | |
 | Overture | Little Me Orchestra, Charles Villiers Stanford | F Major | 5 | 7B | 141 BPM | |
 | Calme des Nuits - Arr. for choir by Chris Foss | Cantus | A♭ Major | 3 | 4B | 109 BPM | |
 | 3 Sacred Hymns: 1. Hail Mary, Full of Grace | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 66 BPM | |
 | Christ Has No Body Now But Yours | Exultate Singers | G Minor | 1 | 6A | 141 BPM | |
 | Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | |
 | Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | |
 | Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | |
 | Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | |
 | Mother Of God, Here I Stand | John Tavener, VOCES8 | G Major | 0 | 9B | 73 BPM | |
 | Mass in E-Flat Major, Op. 109 "Cantus Missae": IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | |
 | Son of God Mass: Lava me | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D♭ Minor | 0 | 12A | 67 BPM | |
 | Stainer: God so loved the world | The Chapel Choir of University College, Hurham, Oliver Bond | D Major | 1 | 10B | 75 BPM | |
 | Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 136 BPM | |
 | O for a Closer Walk with God | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Christopher Robinson | C Minor | 0 | 5A | 67 BPM | |
 | 3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Minor | 1 | 9A | 68 BPM | |
 | Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | |
 | Vespers, Op. 37: VI. Hail, Theotokos Virgin | Sergei Rachmaninoff, Valery Polyansky, The USSR Ministry of Culture Chamber Choir | E Major | 0 | 12B | 77 BPM | |
 | All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | |
 | Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | |
 | Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | F Major | 1 | 7B | 176 BPM | |
 | To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | |
 | Miserere | Antonio Lotti, Cantores Minores Ensemble, Filip Hayrynen | A♭ Minor | 2 | 1A | 108 BPM |
- ISRC
- SEAEV2497080
- Label
- L-M Records/RCA Records