Suite de symphonies No. 1: I. Rondeau (Arr. R. Smedvig) by Jean-Joseph Mouret, Michael Murray, Rolf Smedvig Song Details

Jean-Joseph Mouret, Michael Murray, Rolf Smedvig's ' "Suite de symphonies No. 1: I. Rondeau (Arr. R. Smedvig)" was released on its scheduled release date, April 1, 1993. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 17 in Ceremonial Music for Trumpet & Symphonic Organ by Rolf Smedvig, Michael Murray. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Suite de symphonies No. 1: I. Rondeau (Arr. R. Smedvig) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

The tempo marking of Suite de symphonies No. 1: I. Rondeau (Arr. R. Smedvig) by Jean-Joseph Mouret, Michael Murray, Rolf Smedvig is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -14.909 dB
Acousticness: 64%
Danceability: 38%
Energy: 28%
Instrumentalness: 94%
Liveness: 28%
Loudness: 75%
Speechiness: 4%
Valence: 40%

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