Paul Mauriat's 'Penelope' had a release date set for 1996. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Paul Mauriat 30th Anniversary Concert". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Japan. In terms of popularity, Penelope is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Penelope by Paul Mauriat having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yesterday | Franck Pourcel | F Major | 4 | 7B | 87 BPM | ||
| Lo Que el Viento Se Llevó (Tara's Theme) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | A♭ Major | 3 | 4B | 92 BPM | ||
| Venecia Sin Ti / Las Bicicletas de Belsize | George kroy | A Major | 4 | 11B | 104 BPM | ||
| Ebb Tide | Ronnie Aldrich, The Strings of the London Festival Orchestra | C Major | 1 | 8B | 129 BPM | ||
| La Paloma | Orquesta Casino De La Habana | C Major | 2 | 8B | 126 BPM | ||
| Alguna Vez en el Tiempo / Rapsodia Sobre un Tema de Paganini | Sergio Ortiz | C Major | 2 | 8B | 96 BPM | ||
| Sleepy Shores | Johnny Days Orchestra | B♭ Major | 0 | 6B | 77 BPM | ||
| Siboney / Desesperadamente | Orquestra Românticos de Cuba | C Minor | 6 | 5A | 121 BPM | ||
| Again | Francisco Garcia | G Major | 4 | 9B | 116 BPM | ||
| Balada para Adelina | Henry Dubois | C Major | 4 | 8B | 136 BPM | ||
| Bilitis | Orquesta Romanticos de La Habana | D♭ Major | 0 | 3B | 125 BPM | ||
| 百万本のバラ | ピエール・ポルト | D Minor | 5 | 7A | 80 BPM | ||
| Éxodo | Aldo Livorno Y Su Acordeón Napolitano | C Major | 4 | 8B | 121 BPM | ||
| A Mi Manera | Ronald Valentino | D Major | 5 | 10B | 82 BPM | ||
| Candilejas | Saxo | A Major | 5 | 11B | 117 BPM | ||
| Balada para Adelina | Pierre Charlon | C Major | 4 | 8B | 136 BPM | ||
| Historia de un Amor | Maxximo | A Minor | 6 | 8A | 83 BPM | ||
| Una Probada de Miel | Johnny Days Orchestra | C Minor | 4 | 5A | 88 BPM | ||
| La manana ha roto | Johnny Pearson Y Su Orquesta | C Major | 3 | 8B | 140 BPM | ||
| Cabatina | Discovey Light Orchestra | E Major | 3 | 12B | 180 BPM | ||
| Solamente una Vez | Ronald Valentino | G Major | 7 | 9B | 118 BPM | ||
| シェルブールの雨傘 | レイモン・ルフェーヴル・グランド・オーケストラ | C Minor | 3 | 5A | 114 BPM | ||
| Emmanuelle | Manuel Angel | B Minor | 4 | 10A | 113 BPM | ||
| パリの空の下 | ピエール・ポルト | E Minor | 4 | 9A | 110 BPM | ||
| Feelings | Giuseppe Sbernini | C Minor | 3 | 5A | 74 BPM |