Devendra Pathak's ' "Hamare Sath Shree Raghunath" was released on its scheduled release date, November 8, 2022. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. Because this song is the only song in Hamare Sath Shree Raghunath and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Hamare Sath Shree Raghunath's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hamare Sath Shree Raghunath by Devendra Pathak to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ye Chamak Ye Damak | Devendra Pathak | D Major | 7 | 10B | 110 BPM | ||
| Daya Karo Maa | Sonu Nigam | G Major | 6 | 9B | 112 BPM | ||
| Bhagwat Bhagwan Ki Aarti | Devendra Pathak | A♭ Major | 8 | 4B | 82 BPM | ||
| Jhuru Jhuru Puruwa | Gopal Rai | C Minor | 5 | 5A | 104 BPM | ||
| Jo Prem Gali Mein Aaya Nahi | Pandit Gaurangi Gauri Ji | E♭ Minor | 7 | 2A | 150 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Nimiya Ke Darhi Maiya | Bharat Sharma Vyas | D Minor | 7 | 7A | 152 BPM | ||
| Karuna Karo Kasht Haro Gyan Do Bhagwan Krishna Bhajan | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Khatu Shyam Tera Naam | Roshan Prince | D Major | 9 | 10B | 120 BPM | ||
| Bhajo Re Man Govinda | Devi Neha Saraswat | B♭ Minor | 7 | 3A | 102 BPM | ||
| Thari Jay Ho Pawan Kumar Bajrang Balaji | Shyam Paliwal | F Minor | 9 | 4A | 100 BPM | ||
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Kanak Bhawan Darwaje Khade Raho | Devendra Pathak | B♭ Major | 9 | 6B | 159 BPM | ||
| Baba Teri Kripa Se Saanse Meri Chalti Hai | Sanjay Mittal | F♯ Minor | 7 | 11A | 94 BPM | ||
| Mere Bholebhandari | Manish Tiwari | B♭ Major | 4 | 6B | 188 BPM | ||
| Are Dwarpalo Kanheya Se Keh Do | Naresh Narsi, Chanpreet, Minakshi Panchal | D Minor | 9 | 7A | 142 BPM | ||
| Shiv Shankar Daani - Bhojpuri | Sharda Sinha, Vandana Sinha | B Major | 9 | 1B | 167 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| करुणा करो कष्ट हरो ज्ञान दो भगवन। | Mahesh Hiremath | A♭ Minor | 4 | 1A | 138 BPM | ||
| Deenanath Meri Baat | Lakhbir Singh Lakha | D Major | 7 | 10B | 86 BPM | ||
| Banke Bihari Lal Teri Jai Hove | Acharya Mridul Krishna Goswami | F♯ Minor | 7 | 11A | 76 BPM | ||
| Sanwariya Seth De De 1 - Original | Gokul Sharma, NA | F Minor | 9 | 4A | 188 BPM |