Jenő Hubay, Rafael Méndez, Geoffrey Payne, Jean-Louis Forestier, Melbourne Symphony Orchestra's 'Hejre Kati: Hejre Kati' had a release date set for February 6, 2006. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Trumpet Magic - A Tribute to Rafael Méndez". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. Hejre Kati: Hejre Kati is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hejre Kati: Hejre Kati by Jenő Hubay, Rafael Méndez, Geoffrey Payne, Jean-Louis Forestier, Melbourne Symphony Orchestra having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Cinquantaine - Arranged for Cello and Harp by Miriam Keogh | Gabriel-Marie, None, Sebastian Comberti, Miriam Keogh | A Major | 1 | 11B | 90 BPM | ||
| Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
| Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
| 14 Songs, Op. 34: No. 14, Vocalise (Arr. M. Press) | Sergei Rachmaninoff, Elissa Lee Koljonen, Robert Koenig | D♭ Major | 1 | 3B | 126 BPM | ||
| Nocturne in E-Flat Major, Op. 9, No. 2 | Frédéric Chopin, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | B♭ Major | 2 | 6B | 97 BPM | ||
| Slavonic Fantasy in B minor | Antonín Dvořák, Joshua Bell, Peter Dugan | B Minor | 2 | 10A | 116 BPM | ||
| Spanish Dances, Op. 23: Danza española No. 5: Playera, Op. 23, No. 1 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 2 | 9B | 168 BPM | ||
| Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
| The Last Waltz | Bryant Paskewitz, Yaroslav Medvedev-Taraldset | G Minor | 4 | 6A | 166 BPM | ||
| Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
| Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
| Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
| Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
| Prelude and Allegro in the style of Pugnani | Samuel Sanders, Itzhak Perlman | E Minor | 3 | 9A | 107 BPM | ||
| Valse Melancolique No. 6 in F Minor | Carlos Marquez | C Minor | 2 | 5A | 99 BPM | ||
| Liebesleid | Fritz Kreisler, Michael Collins, Michael McHale | A Minor | 0 | 8A | 85 BPM | ||
| Czardas | Vittorio Monti, Trio Sonata Concert | D Major | 1 | 10B | 151 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| II. Minuet | Antonín Dvořák, Peter Breiner | F Major | 1 | 7B | 78 BPM | ||
| 3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM |