- BPM
- 136
- Key
- D♭ Major
- Camelot
- 3B
Fromm Variations (31 Variations For Piano): Variation XV by Ralph Shapey, Robert Black Song Details
"Fromm Variations (31 Variations For Piano): Variation XV" by Ralph Shapey, Robert Black had its release date on January 1, 2007. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Ralph Shapey: Radical Traditionalism". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. Based on our statistics, Fromm Variations (31 Variations For Piano): Variation XV's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Fromm Variations (31 Variations For Piano): Variation XV by Ralph Shapey, Robert Black having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -28.767 dB
- Acousticness
- 99%
- Danceability
- 38%
- Energy
- 5%
- Instrumentalness
- 93%
- Liveness
- 10%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cantus Commemorabilis I | Henry Weinberg, Various Artists, Ralph Shapey | G Major | 0 | 9B | 115 BPM | |
 | Concerto for Violin and Cello, Op. 102 in A Minor: II. Andante | Johannes Brahms, Leoš Čepický, Michal Kaňka, Stanislav Vavřínek, Komorní filharmonie Pardubice | D Major | 1 | 10B | 96 BPM | |
 | Barcarolle | Sergei Rachmaninoff, Alexander Sevastian | G Major | 3 | 9B | 101 BPM | |
 | Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | |
 | String Quartet No. 5, H. 268: I. Allegro ma non troppo | Bohuslav Martinů, Pavel Haas Quartet | F Major | 2 | 7B | 103 BPM | |
 | Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | |
 | Iride | Angelo Bruzzese, Fortibus Ensemble | A♭ Minor | 1 | 1A | 168 BPM | |
 | 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | A Major | 1 | 11B | 118 BPM | |
 | Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | A Major | 1 | 11B | 118 BPM | |
 | Paws in the Parlor | Chandler West | A Major | 1 | 11B | 118 BPM | |
 | Seven Nuggets: VII. Lapis, with Gold Crystals | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | |
 | A Mind in the Heart | Ivan Vukosavljević, Joana Gama | A Major | 1 | 11B | 118 BPM | |
 | Chasing Sunlight: I. Sunlight - Live | Mark David Boden, Fenella Humphreys, Sinfonia Cymru, Haim Choi | G Major | 1 | 9B | 118 BPM | |
 | String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | A Major | 1 | 11B | 118 BPM | |
 | Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | |
 | Divertimento for Strings, BB 118 (Sz.113): II. Molto adagio | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Études, CD 143, Livre 1: IV Pour les sixtes (Arr. for Ensemble by Thibault Bertin-Maghit) | Claude Debussy, collectif9 | F♯ Minor | 0 | 11A | 58 BPM | |
 | Five Pieces for String Quartet, WV 68: No. 3, Alla Czeca | Erwin Schulhoff, Leonkoro Quartet | A Major | 1 | 11B | 118 BPM | |
 | Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | |
 | Les chauves-souris choréographique | Niklas Sivelov | A Minor | 3 | 8A | 171 BPM | |
 | Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | |
 | Játékok / 1.: 25a. Örökmozgó (talált tárgy) | György Kurtág | C Major | 0 | 8B | 72 BPM | |
 | Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | |
 | Melandru's Calm | Jeremy Soule | A Major | 1 | 11B | 118 BPM | |
 | Piano Sonata "To the Victims of Auschwitz": II. Epitaph. Andante teneramente | Agi Jambor, Sarah Cahill | C Minor | 2 | 5A | 105 BPM |
- ISRC
- US4QP0868122
- Label
- L-M Records/RCA Records