On March 19, 2013, the song "When I Leave This World Behind" was released by Second Line Jazzband. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 7 out of 12 in Episode VII by Second Line Jazzband. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. The popularity of When I Leave This World Behind is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of When I Leave This World Behind by Second Line Jazzband is Presto (very, very fast), since this song has a tempo of 198 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue Lester | Brooks Prumo Orchestra | F Minor | 3 | 4A | 119 BPM | ||
| Stomp At the Savoy | Weiss Gram | F Major | 1 | 7B | 80 BPM | ||
| Why Don't You Go to New Orleans | Jim Beatty | E♭ Major | 5 | 5B | 160 BPM | ||
| Gloryland | The Blue Vipers Of Brooklyn | A♭ Major | 6 | 4B | 111 BPM | ||
| El Abanico | Piccadilly Six | C Major | 5 | 8B | 103 BPM | ||
| The Happy Wanderer | Ken Colyers Jazzmen | E♭ Major | 5 | 5B | 98 BPM | ||
| Beautiful Dreamer | Gentlemen Of Jazz | C Minor | 4 | 5A | 96 BPM | ||
| Riffin’ the Blues | Norbert Schneider | C Minor | 3 | 5A | 132 BPM | ||
| Bill Bailey | Ken Colyers Jazzmen | A Major | 6 | 11B | 188 BPM | ||
| Don't Be Flat | Reverent Juke | A♭ Major | 4 | 4B | 98 BPM | ||
| ディキシーランドジャズ5 | 茶屋萬衛門 | D Minor | 4 | 7A | 106 BPM | ||
| Porcelain Foyer | uuunderwater | B♭ Major | 3 | 6B | 115 BPM | ||
| Fourth of July | Marco Bianchi Vibes 4tet | C Minor | 7 | 5A | 120 BPM | ||
| Nearer My God to Thee | Gentlemen Of Jazz | F Major | 2 | 7B | 95 BPM | ||
| How Great Thou Art | Second Line Jazzband | E♭ Major | 8 | 5B | 193 BPM | ||
| Some of These Days | Chris Barber's Jazz & Blues Band | A♭ Major | 4 | 4B | 93 BPM | ||
| Oh, Lady Be Good! | Michael Gamble & The Rhythm Serenaders | G Minor | 2 | 6A | 170 BPM | ||
| I Double Dare You | Teddy Riley, Teddy Riley's New Orleans Band | F Major | 8 | 7B | 116 BPM | ||
| Bean Stalking - Idaho | The Three Tenors Of Swing | G Minor | 8 | 6A | 138 BPM | ||
| Wildcat Blues | Monty Sunshine's Jazz Band | C Major | 6 | 8B | 200 BPM | ||
| Tom Cat Blues | Norbert Susemihl, Jason Marsalis, Erika Lewis, Shaye Cohn | F Major | 3 | 7B | 133 BPM | ||
| Snag it | The Veterinary Street Jazz Band | E♭ Major | 3 | 5B | 118 BPM | ||
| Yellow Dog Blues | Monty Sunshine's Jazz Band | E♭ Major | 2 | 5B | 69 BPM | ||
| On the Sunny Side of the Street | Professor Cunningham And His Old School | C Major | 2 | 8B | 173 BPM | ||
| Good-night ladies | Louisiana Blues Band | G Major | 7 | 9B | 115 BPM |