Passacaglia for Violin and Violoncello after G.F. Händel by George Frideric Handel, Georg Friedrich Händel, Johan August Halvorsen, Johan Halvorsen, Kyung Sun Lee, Tilmann Wick Song Details

George Frideric Handel, Georg Friedrich Händel, Johan August Halvorsen, Johan Halvorsen, Kyung Sun Lee, Tilmann Wick's 'Passacaglia for Violin and Violoncello after G.F. Händel' had a release date set for January 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 12 in Erwin Schulhoff, Johan August Halvorsen, Zoltán Kódaly & Maurice Ravel: Works for Violin & Violoncello by Kyung Sun Lee, Tilmann Wick. Passacaglia for Violin and Violoncello after G.F. Händel is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Passacaglia for Violin and Violoncello after G.F. Händel by George Frideric Handel, Georg Friedrich Händel, Johan August Halvorsen, Johan Halvorsen, Kyung Sun Lee, Tilmann Wick is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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Popularity: 24%
Loudness: -23.876 dB
Acousticness: 72%
Danceability: 26%
Energy: 9%
Instrumentalness: 65%
Liveness: 8%
Loudness: 60%
Speechiness: 5%
Valence: 24%

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