Messiah, HWV 56: There Were Shepards by George Frideric Handel, Eileen Farrell, Eugene Ormandy, Philadelphia Orchestra Song Details

"Messiah, HWV 56: There Were Shepards" by George Frideric Handel, Eileen Farrell, Eugene Ormandy, Philadelphia Orchestra had its release date on 1959. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in George Frideric Handel, Mormon Tabernacle Choir, Philadelphia Orchestra, Eugene Ormandy, Richard P. Condie's "Handel: Messiah, HWV 56" album is number 12 out of 32. On top of that, United States appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56: There Were Shepards is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Messiah, HWV 56: There Were Shepards by George Frideric Handel, Eileen Farrell, Eugene Ormandy, Philadelphia Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -21.18 dB
Acousticness: 97%
Danceability: 37%
Energy: 8%
Instrumentalness: 0%
Liveness: 13%
Loudness: 65%
Speechiness: 5%
Valence: 6%

Recommendations

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Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: II. Largo	George Frideric Handel, Royal Northern Sinfonia, Bradley Creswick	G Minor	1	6A	77 BPM
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Idyl for Strings - Adagio	Leoš Janáček, Hanspeter Gmür, Camerata Romana	G Major	1	9B	105 BPM
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Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
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Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro	Han De Vries, Bob van Asperen, Alma Musica Amsterdam	F♯ Minor	2	11A	106 BPM
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