"Bagatelle, Op. 30" by Anatoly Lyadov, Yoko Kikuchi had its release date on June 1, 2007. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anatoly Lyadov, Yoko Kikuchi's "Liadov: Piano Works" album is number 12 out of 16. On top of that, Belgium appears to be the country where this track was created. Bagatelle, Op. 30 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bagatelle, Op. 30 by Anatoly Lyadov, Yoko Kikuchi to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Maria's City (Mariupol) | Vivere String Quartet | C Minor | 1 | 5A | 79 BPM | ||
| Viola Concerto in C Minor: III. Allegro vivace | Johann Christian Bach, Hartmut Rohde, Georg Mais | C Minor | 2 | 5A | 84 BPM | ||
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
| Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
| Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
| Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Nikolai Lugansky | D♭ Major | 0 | 3B | 130 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Inwood Improv: Sakura Park | Theodore Lee | A Major | 0 | 11B | 125 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde, Andrés Madariaga, Maria-Theresa Freibott | E Minor | 0 | 9A | 92 BPM | ||
| Rêverie | Germaine Tailleferre, Adriano Spampanato | C Major | 0 | 8B | 77 BPM | ||
| Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
| Kikimora, Op. 63 | Anatoly Lyadov, Vassily Sinaisky, BBC Philharmonic Orchestra | C Major | 1 | 8B | 81 BPM | ||
| 舟歌 | Anatoly Lyadov, Kotaro Fukuma | F♯ Major | 1 | 2B | 63 BPM | ||
| Lagoon of Forgotten Dreams (Laguna de los Sueños Olvidados) | Julián Fueyo | D Minor | 0 | 7A | 77 BPM | ||
| Goldberg Variations, BWV 988: Var. 21 | Johann Sebastian Bach, Víkingur Ólafsson | F Major | 3 | 7B | 100 BPM | ||
| Symphony No. 5 in E Minor, Op. 64, TH 29: III. Waltz. Allegro moderato | Pyotr Ilyich Tchaikovsky, Antoni Wit, Polish National Radio Symphony Orchestra | A Major | 2 | 11B | 147 BPM | ||
| Constellation of Future Memories (Constelación de los Recuerdos Futuros) | Julián Fueyo | D Minor | 0 | 7A | 78 BPM | ||
| Strauss Jr., J.: Künstlerleben, Op. 316 | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | C Major | 1 | 8B | 103 BPM | ||
| Vivaldi: Bajazet, RV 703, Act 2 Scene 8: No. 16, Aria, "Dov'è la figlia?" (Bajazet) | Antonio Vivaldi, Ildebrando D'Arcangelo, Fabio Biondi, Europa Galante | G Major | 1 | 9B | 101 BPM | ||
| Baba Yaga, Op. 56 | Anatoly Lyadov, Slovak Philharmonic, Stephen Gunzenhauser | D Major | 2 | 10B | 126 BPM | ||
| Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": III. Gavotta, Non troppo allegro | Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 0 | 10B | 127 BPM |