"OSR II - I" by Daniel Pemberton had its release date on March 30, 2018. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "One Strange Rock (Original Series Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, OSR II - I's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With OSR II - I by Daniel Pemberton having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seasoned Oak | Daniel Pemberton | D Major | 6 | 10B | 125 BPM | ||
| Crystal Skies | John Stanford | A Major | 2 | 11B | 79 BPM | ||
| Beyond the Horizon | Olivier Deriviere | A Minor | 2 | 8A | 61 BPM | ||
| Kanna | Sarah Schachner | C Major | 5 | 8B | 141 BPM | ||
| Seglass Ni Tonday | Steve Jablonsky | G Minor | 3 | 6A | 97 BPM | ||
| To the Stars | Max Richter | E Minor | 1 | 9A | 131 BPM | ||
| Unborn Millions To Come | Kyle Preston | C Minor | 1 | 5A | 69 BPM | ||
| Midnight Special Theme | David Wingo | C Major | 1 | 8B | 100 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Song of Hal: Conclusio in C Minor | Nicholas Britell | C Minor | 1 | 5A | 92 BPM | ||
| Sir Edmund Burton | Steve Jablonsky | D Minor | 1 | 7A | 71 BPM | ||
| Engländer | Thomas Newman | B♭ Minor | 3 | 3A | 100 BPM | ||
| Wife Memory | Marc Streitenfeld | E Minor | 3 | 9A | 71 BPM | ||
| Everdream | Epic Soul Factory, Cesc Vilà, Fran Soto | G Major | 3 | 9B | 143 BPM | ||
| Coda | Rob Simonsen | F♯ Minor | 3 | 11A | 117 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| 3.5_1-alittlepush.ktp | Mac Quayle | D Major | 2 | 10B | 98 BPM | ||
| 1.1_3-oneor0.wma | Mac Quayle | C Minor | 2 | 5A | 152 BPM | ||
| Black Earth Rising | Martin Phipps | D♭ Major | 1 | 3B | 67 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| Mars | Harry Gregson-Williams | B♭ Major | 0 | 6B | 106 BPM | ||
| Flowers For Claire | Jeff Beal | F Major | 2 | 7B | 90 BPM | ||
| Fragmented Universe | Ryan Taubert | B Minor | 1 | 10A | 70 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| Surrender | Dan Romer | B♭ Major | 1 | 6B | 79 BPM |