On January 1, 2003, the song "V/ The Connecticut Promissory Rag" was released by Peter Lang. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. V/ The Connecticut Promissory Rag's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Lang's "Lycurgus" album is number 8 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, V/ The Connecticut Promissory Rag's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of V/ The Connecticut Promissory Rag by Peter Lang to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cumberland Gap | Pharis & Jason Romero | F Major | 3 | 7B | 97 BPM | ||
| Witness To The Messenger | Peter Lang | C Major | 1 | 8B | 97 BPM | ||
| May Day #1 | Chris Coole | B Minor | 2 | 10A | 90 BPM | ||
| A Day At The Sea | John Martyn | B Minor | 5 | 10A | 137 BPM | ||
| WI Ha | Keola Beamer | D Major | 3 | 10B | 148 BPM | ||
| The Grand Old Trout | Bill MacKay, Ryley Walker | G Major | 2 | 9B | 134 BPM | ||
| Hello Baby Blues | Peter Lang | C Major | 3 | 8B | 134 BPM | ||
| Sweep It Up | Gwenifer Raymond | D Major | 3 | 10B | 75 BPM | ||
| The Eyes of the Fair Molly | Kinloch Nelson | D Major | 1 | 10B | 83 BPM | ||
| Shadows On The Marsh | Al Petteway | D Minor | 1 | 7A | 112 BPM | ||
| Eight Belles Dreamt The Devil Was Dead | Nathan Salsburg | E Major | 3 | 12B | 136 BPM | ||
| Quetico Reel | Peter Lang | C Major | 4 | 8B | 143 BPM | ||
| Idumea | Bill MacKay, Nathan Bowles | A Major | 1 | 11B | 79 BPM | ||
| Pavana (Anna Banana) | John Renbourn | E Major | 0 | 12B | 135 BPM | ||
| Rondo in D - On Southern Themes | Harry Taussig | D Major | 1 | 10B | 81 BPM | ||
| Little Rabbit | Joel Mabus | A Minor | 3 | 8A | 135 BPM | ||
| Three Teeth | Bruce Langhorne | D♭ Major | 1 | 3B | 70 BPM | ||
| Variation II | Steve Gunn | D♭ Major | 2 | 3B | 85 BPM | ||
| Poor Howard | Peter Lang | C Major | 3 | 8B | 134 BPM | ||
| Can I Change My Mind | Bruce Molsky, Darol Anger | A Major | 4 | 11B | 96 BPM | ||
| Golden Embers - Single Version | Tom Zapata | B Major | 1 | 1B | 107 BPM | ||
| Shady Grove | Al Petteway | D Major | 3 | 10B | 85 BPM | ||
| Whoa Baby, Every Day I Wake Up With The Blues | Tony Rice Unit | F♯ Minor | 1 | 11A | 83 BPM | ||
| Untitled Oblivion (Instrumental) | Peter Lang | C Major | 3 | 8B | 134 BPM | ||
| Idumea | Gwenifer Raymond | C Major | 4 | 8B | 102 BPM |