Rabindranath Tagore's 'Hriday Amar Nache Re-Tagore' had a release date set for January 7, 1932. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Voice Of Rabindranath Tagore". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. The popularity of Hriday Amar Nache Re-Tagore is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Hriday Amar Nache Re-Tagore by Rabindranath Tagore having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Madhumalati Dake Aay | Sandhya Mukherjee | G Minor | 2 | 6A | 108 BPM | ||
| Shey Je Kon Pothe Gyalo | Tushar Dutta, Asmita Kar | F Major | 5 | 7B | 130 BPM | ||
| Pratidhwani Shuni | Bhupen Hazarika | F♯ Major | 4 | 2B | 104 BPM | ||
| Bendhechi Beena Gaan Shonabo | Parveen Sultana | G Minor | 3 | 6A | 78 BPM | ||
| Tomar Motoi | Neel Dutt, Anjan Dutt | A Minor | 4 | 8A | 104 BPM | ||
| Tasher Desh, Pt. 3 - Narration | Rabindranath Tagore, Shyamal Mitra, Kanika Banerjee, Sailen Mukherjee, Krishna Chatterjee, Mrinal Chakraborty, Utpala Sen, Mintoo Dasgupta, Sumitra Roy, Subirmoy Ghosh, Alpana Roy, Mrinal Ganguly, Banasree Ghosh, Pabitra Mitra, Dhiren Bose, Bani Tagore | F Major | 2 | 7B | 101 BPM | ||
| Salutation | Ēriks Ešenvalds, Rabindranath Tagore, Iowa State Singers | D♭ Major | 1 | 3B | 133 BPM | ||
| Shey Chole Geleo (Male) | Kabir Suman | C Major | 3 | 8B | 78 BPM | ||
| Tomar Amar Ei Biroher Antarale | Sharmila Chakraborty, Rabindranath Tagore | E Minor | 6 | 9A | 132 BPM | ||
| Ak Hariye Jawa Bondhu | Shayan | D Major | 3 | 10B | 120 BPM | ||
| E Ki Labonye Purnyo Pran - Rabindra Sangeet | Sounak Chattopadhyay, Rabindranath Tagore | C Major | 2 | 8B | 180 BPM | ||
| Chokher Aloy | Durnibar | C Major | 4 | 8B | 120 BPM | ||
| Ghum Ghum Chand Jhikimiki Tara | Sandhya Mukherjee | C Major | 1 | 8B | 112 BPM | ||
| Jana Gana Mana | Rabindranath Tagore | D Major | 5 | 10B | 128 BPM | ||
| Bare Bare Aar Aasa Hobena | Kartik Das Baul | D Major | 5 | 10B | 168 BPM | ||
| Dhono Dhanno Puspa Bhora | Jayati Chakraborty | E♭ Major | 9 | 5B | 80 BPM | ||
| Dubidubi | Krishnokoli | A Major | 3 | 11B | 172 BPM | ||
| Ei Prithibir Gaan | Pralay Sarkar, Anirban Dasgupta - RIJU | F Major | 1 | 7B | 83 BPM | ||
| Amar Shokol Niye Bose Achi | Srabani Sen | G Major | 1 | 9B | 77 BPM | ||
| Timir Abagunthane - Instrumental | Rabindranath Tagore | E♭ Major | 2 | 5B | 128 BPM | ||
| Khachar Bhitor Achin Pakhi | Satyaki Banerjee | A♭ Minor | 2 | 1A | 140 BPM | ||
| Hriday Amar Nachere - Instrumental | Rabindranath Tagore | G Major | 2 | 9B | 132 BPM | ||
| Megh Bolechhe | Sunidhi Chauhan, Soumyojit | D♭ Major | 5 | 3B | 85 BPM | ||
| Oi Mahasindhur Opar Theke | Manna Dey | D♭ Major | 5 | 3B | 85 BPM | ||
| Alo Amar Alo Ogo | Nilanjana Bagchi | B♭ Major | 4 | 6B | 78 BPM |