"アヴェ・マリア" by カッチーニ(ジュリオ), Maki Mori had its release date on January 26, 2011. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in アヴェ・マリア, so we believe that "アヴェ・マリア" is a single. アヴェ・マリア is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of アヴェ・マリア by カッチーニ(ジュリオ), Maki Mori is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 黄昏のワルツ | NAOTO | F Major | 0 | 7B | 69 BPM | ||
| 愛の悲しみ | Fritz Kreisler, ジャン=ジャック・カントロフ, Jacques Rouvier | A Major | 1 | 11B | 95 BPM | ||
| O del mio dolce ardor | Christoph Willibald Gluck, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| 序曲とロンド・カプリチオーソ | Camille Saint-Saëns, 井上道義, 新日本フィルハーモニー交響楽団, ジャン=ジャック・カントロフ | A Major | 1 | 11B | 95 BPM | ||
| Verdi: La traviata, Act 1: "Ah, fors'è lui" (Violetta) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | F Major | 1 | 7B | 86 BPM | ||
| グノーのアベマリア | グノー, Karoly Kovacs | F Major | 0 | 7B | 70 BPM | ||
| フルートとハープのための協奏曲 ハ長調 K.299 第2楽章 アンダンティーノ | Patrick Gallois, エマニュエル・クリヴィン, フランス室内合奏団 | F Major | 1 | 7B | 110 BPM | ||
| Rigoletto / Act 1: "Gualtier Maldè! ... Caro nome" | Giuseppe Verdi, Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 6 | 2B | 83 BPM | ||
| Family Love | Akira Senju | G Major | 5 | 9B | 160 BPM | ||
| 間奏曲〜歌劇「カヴァレリア・ルスティカーナ」より(マスカーニ/清塚信也 編) | Pietro Mascagni, Shinya Kiyozuka | F Major | 0 | 7B | 68 BPM | ||
| レスピーギのシチリアーノ | レスピーギ, レックス・サウンド・オーケストラ | G Major | 1 | 9B | 88 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| フォーレ:シチリアーノ (チェロ) | モーリス・ジャンドロン, 岩崎淑 | C Major | 1 | 8B | 131 BPM | ||
| 夢に来ませ | リスト, Maki Mori | B♭ Major | 2 | 6B | 77 BPM | ||
| Liebesleid | Fritz Kreisler, Cocomi, Alexander Gadjiev | D Major | 1 | 10B | 175 BPM | ||
| 喝采 | ちあきなおみ | E Major | 5 | 12B | 96 BPM | ||
| 群青 | Shinji Tanimura | D Minor | 4 | 7A | 118 BPM | ||
| Ave Maria | シャルル・グノー, Cocomi, Niu Niu | D Major | 1 | 10B | 175 BPM | ||
| トロイメライ | Robert Schumann, Suguru Matsutani | F Major | 1 | 7B | 77 BPM | ||
| シャコンヌ ト短調(千住 明編) | トマーゾ・アントニオ・ヴィターリ, Mariko Senju, N響のメンバーによるアンサンブル | D Minor | 4 | 7A | 149 BPM | ||
| 明日には | Richard Strauss, Maki Mori | A Major | 0 | 11B | 106 BPM | ||
| Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Canzona - Voi, Che Sapete | Donato Di Stefano, Patrizia Pace, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 101 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| ある晴れた日に ~歌劇「蝶々夫人」 | Maria Callas | D♭ Major | 1 | 3B | 126 BPM | ||
| 4 Lieder, Op. 27, TrV 170: No. 4, Morgen | Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | E Major | 0 | 12B | 154 BPM |