"The Sneakers Theme" by James Horner had its release date on November 24, 1992. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sneakers (Original Motion Picture Soundtrack)'s "Music Composed And Conducted By James Horner, Featuring Branford Marsalis" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. The Sneakers Theme is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Sneakers Theme by James Horner to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Theme - 2020 Remaster | James Horner | E♭ Major | 1 | 5B | 56 BPM | ||
| Through the Woods | Angela Morley | E♭ Minor | 1 | 2A | 88 BPM | ||
| Main Title from "Sneakers" | James Horner | F Major | 1 | 7B | 125 BPM | ||
| Man From the Future | Geoff Zanelli | D Major | 0 | 10B | 128 BPM | ||
| Our Mother Is Alive | Stewart Copeland | F Major | 4 | 7B | 144 BPM | ||
| Think About Us | Keramet Boyukcol, Kukando | B♭ Major | 5 | 6B | 75 BPM | ||
| Regreso a Venezuela | Gustavo Dudamel, Simón Bolívar Symphony Orchestra Of Venezuela, Pedro Eustache | C Major | 1 | 8B | 131 BPM | ||
| The Karakorum | George Fenton | C Major | 2 | 8B | 99 BPM | ||
| Those We Left Behind | John Paul Hayward | D Major | 0 | 10B | 128 BPM | ||
| Navarre's and Marquet's Duel | Andrew Powell, Philharmonia Orchestra | G Major | 2 | 9B | 137 BPM | ||
| The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Expressions Arent a Crime Yet | Valhalla Orquestra, Charles Honeywell | F Major | 3 | 7B | 85 BPM | ||
| Nuclear Scam | Basil Poledouris | G Major | 3 | 9B | 135 BPM | ||
| The American President (Main Theme: Marc Shaiman) | Drew Tretick | E♭ Major | 2 | 5B | 87 BPM | ||
| The Black Stallion (Theme Reprise) | Czech Philharmonic Chamber Orchestra | E Major | 2 | 12B | 121 BPM | ||
| Kay And Mike's Love Theme - From The "Jaws 3D" Soundtrack | Alan Parker | F Major | 1 | 7B | 72 BPM | ||
| The Ascension | James Horner | A♭ Major | 2 | 4B | 83 BPM | ||
| Pink 2000 | Maria Korbova, Mery Leon | B♭ Minor | 1 | 3A | 85 BPM | ||
| Drink And Leave | Marios Takoushis | D Major | 0 | 10B | 128 BPM | ||
| Crystal Palace - Conan The Destroyer/Soundtrack Version | Basil Poledouris | D Minor | 3 | 7A | 72 BPM | ||
| Carlotta's Portrait (From "Vertigo”, 1958 Film Score) | Muir Mathieson, London Symphony Orchestra | C Major | 0 | 8B | 75 BPM | ||
| One Down In Gaza | W.G. Snuffy Walden | G Major | 1 | 9B | 69 BPM | ||
| Guttersomne | Kenan Bauen, Kenap D | D Major | 1 | 10B | 139 BPM | ||
| Tempus | Solyn | B♭ Major | 1 | 6B | 87 BPM | ||
| Star Trek II: The Wrath Of Khan: End Credits - From "Star Trek II" | James Horner | G Major | 1 | 9B | 100 BPM |