"Invisible Cities, Scene 4: "Armilla"" by Christopher Cerrone, Marc Lowenstein, Ashley Faatoalia, Ashley Knight, Cedric Berry, Delaram Kamareh had its release date on November 4, 2014. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The track order of this song in Christopher Cerrone, Various Artists's "Invisible Cities" album is number 5 out of 8. Invisible Cities, Scene 4: "Armilla" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Invisible Cities, Scene 4: "Armilla" by Christopher Cerrone, Marc Lowenstein, Ashley Faatoalia, Ashley Knight, Cedric Berry, Delaram Kamareh to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Baltic Bolero | Arve Henriksen, Robert Jürjendal | G Major | 3 | 9B | 91 BPM | ||
| Nidingen | Girls in Airports, Halvcirkel | D Major | 4 | 10B | 140 BPM | ||
| Atsain | Cerys Hafana | E Minor | 1 | 9A | 169 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| Aphiea | Anna Berg | C Minor | 1 | 5A | 77 BPM | ||
| In C 2 | Terry Riley, Maya Beiser | D Minor | 5 | 7A | 120 BPM | ||
| Vapor Trail | Hoshiko Yamane | G Major | 3 | 9B | 100 BPM | ||
| After The Rain | Aron Ottignon, Nane Kahle | F Major | 1 | 7B | 84 BPM | ||
| Memory Palace - I. Harriman | Christopher Cerrone, Ian Rosenbaum | A♭ Major | 1 | 4B | 69 BPM | ||
| Broken Seam | Park Jiha | C Minor | 0 | 5A | 135 BPM | ||
| Moon Shadows | Aloen Viss | E Major | 3 | 12B | 172 BPM | ||
| A Remembering | Rose Riebl, Haraldur Thrastarson | F Major | 0 | 7B | 69 BPM | ||
| O nobilissima viriditas | Bryce Dessner, Barbara Hannigan, David Chalmin, Katia Labèque, Marielle Labèque | D Minor | 2 | 7A | 99 BPM | ||
| Snowforms | Elektra Women's Choir | E♭ Major | 0 | 5B | 68 BPM | ||
| Eye of Mnemosyne: III. Mori, "Memory of the Dead” | Sarah Kirkland Snider, Metropolis Ensemble, Andrew Cyr | F Major | 1 | 7B | 84 BPM | ||
| Sammalen asukkaat | Lauri Porra | G Major | 4 | 9B | 93 BPM | ||
| Exchange | Jun Miyake | F Major | 1 | 7B | 84 BPM | ||
| A Natural History of Vacant Lots | Christopher Cerrone, Sandbox Percussion | A♭ Minor | 0 | 1A | 60 BPM | ||
| Between the Mills and the Moors | Tom Kinsella | B♭ Major | 1 | 6B | 168 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| I Will Learn To Love A Person: 1. That Night With The Green Sky | Christopher Cerrone, Lindsay Kesselman, Timo Andres, Mingzhe Wang, Ian Rosenbaum | F Major | 0 | 7B | 71 BPM | ||
| The Unquestioned Answer (Arr. for Organ by James McVinnie) | Laurie Spiegel, James McVinnie | A Minor | 2 | 8A | 82 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | F Major | 1 | 7B | 84 BPM | ||
| Facing North: Northern Lights 1 | Meredith Monk, Robert Een | B Minor | 0 | 10A | 76 BPM | ||
| Lower Deck | Daniel Blumberg | F Major | 1 | 7B | 84 BPM |