"Upload: Scene 1" by Michel van der Aa, Dutch National Opera, Ensemble Musikfabrik, Julia Bullock, Otto Tausk, Roderick Williams had its release date on January 8, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Michel van der Aa, Julia Bullock, Roderick Williams, Ensemble Musikfabrik, Otto Tausk, Dutch National Opera's "Michel van der Aa: Upload" album is number 1 out of 11. On top of that, Netherlands appears to be the country where this track was created. Upload: Scene 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Upload: Scene 1 by Michel van der Aa, Dutch National Opera, Ensemble Musikfabrik, Julia Bullock, Otto Tausk, Roderick Williams to be Lento (slowly) because the track has a tempo of 59 BPM, a half-time of 30BPM, and a double-time of 118 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Von Angesicht zu Angesicht | Arvo Pärt, Vox Clamantis, Jaan-Eik Tulve, Toomas Vavilov, Johanna Vahermägi, Heikko Remmel | A Major | 0 | 11B | 133 BPM | ||
| Weinberg: Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Edgar Moreau, Andris Poga, WDR Sinfonieorchester | C Minor | 0 | 5A | 128 BPM | ||
| Castillo Interior: Allegro [Fig. 11] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Let Me Go | Michel van der Aa, Kate Miller-Heidke | D♭ Minor | 4 | 12A | 80 BPM | ||
| Triadic Memories: I | Morton Feldman, Helena Basilova | A♭ Major | 0 | 4B | 160 BPM | ||
| Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian | B Minor | 0 | 10A | 135 BPM | ||
| Upload: Scene 8-1 | Michel van der Aa, Dutch National Opera, Ensemble Musikfabrik, Julia Bullock, Otto Tausk, Roderick Williams | F Minor | 2 | 4A | 59 BPM | ||
| Anach | Michel van der Aa, Schönberg Ensemble, Micha Hamel | G Major | 3 | 9B | 89 BPM | ||
| Concerto For Violoncello And Strings: I. (Turbulent, Tense) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | E Minor | 4 | 9A | 89 BPM | ||
| O Quam Tristis (Electronic Version) | Marco Rosano, Andreas Scholl, Nabila Trindade | F♯ Minor | 3 | 11A | 122 BPM | ||
| Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM | ||
| The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
| Up-close: II. | Sol Gabetta, Amsterdam Sinfonietta, Michel van der Aa | E♭ Major | 2 | 5B | 74 BPM | ||
| Mask | Asko Schönberg, Otto Tausk, Michel van der Aa | B Major | 2 | 1B | 122 BPM | ||
| Increase | David Lang, Alarm Will Sound, Alan Pierson | F Minor | 4 | 4A | 120 BPM | ||
| Partita for 8 Singers: 2. Sarabande | Caroline Shaw, Roomful of Teeth, Brad Wells | C Major | 2 | 8B | 62 BPM | ||
| Atmosphere | Caroline Shaw, Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | E Major | 1 | 12B | 60 BPM | ||
| In Darkness Let Me Dwell | John Dowland, Clara Brunet, Bor Zuljan | D Minor | 1 | 7A | 174 BPM | ||
| Missa Brevis - III. Agnus Dei | Cello Octet Amsterdam | F Major | 0 | 7B | 167 BPM | ||
| Fratres (Version for Wind Octet & Percussion) | Arvo Pärt, Joris Van Den Hauwe, Jan Maebe, Geert Baeckelandt, Lydia Rossignol, Francis Pollet, Bart Snauwaert, Martin Van Der Merwe, Jos Buurman, Huub Righarts | A♭ Major | 2 | 4B | 78 BPM | ||
| 17 - 25 | Cello Octet Amsterdam | F Major | 0 | 7B | 127 BPM | ||
| September III | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 0 | 5A | 81 BPM | ||
| Pulsar 167 - En Vivo | Jimmy Herrera, Juan María Alfredo Herrera | D Major | 3 | 10B | 108 BPM | ||
| Korngold: Suite, Op. 23: IV. Lied. Schlicht und innig | Erich Wolfgang Korngold, Edgar Moreau, Raphaëlle Moreau, David Moreau, Jérémie Moreau | F♯ Major | 1 | 2B | 71 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM |