Fall on Your Sword's ' "Opening Titles" was released on its scheduled release date, June 5, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Fall on Your Sword's "Lola Versus (Original Motion Picture Score)" album is number 2 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Opening Titles's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Opening Titles by Fall on Your Sword to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Was Our House | Electric Youth | C Major | 2 | 8B | 179 BPM | ||
| Making Contact | Fall on Your Sword | C Major | 2 | 8B | 106 BPM | ||
| Light Shapes | Vexa Lune | E♭ Minor | 6 | 2A | 113 BPM | ||
| Elevator Song (feat. Ren Ford) | Keaton Henson, Ren Ford | D Major | 2 | 10B | 70 BPM | ||
| Modern | Mogwai | G Major | 7 | 9B | 103 BPM | ||
| The Swimmer | Phil France | B Major | 1 | 1B | 120 BPM | ||
| Tinder | Origamibiro | B♭ Major | 3 | 6B | 111 BPM | ||
| Don't Let Go | Steven Price | A♭ Minor | 2 | 1A | 135 BPM | ||
| Animator | Phil France | G Major | 1 | 9B | 180 BPM | ||
| Jesse Sneaks Into Her Room | Cliff Martinez | D Major | 1 | 10B | 70 BPM | ||
| Baby | Dickon Hinchliffe | C Major | 3 | 8B | 126 BPM | ||
| What Maisie Knew | Nick Urata | F♯ Major | 1 | 2B | 119 BPM | ||
| A Young Forest Growing Up Under Your Meadows | Shane Carruth | A Major | 2 | 11B | 71 BPM | ||
| Flow & Branch | Keith Kenniff | B♭ Major | 3 | 6B | 140 BPM | ||
| Watching | Ben Salisbury, Geoff Barrow | B Major | 0 | 1B | 130 BPM | ||
| I've Known Everything | Jeff Beal | C Minor | 2 | 5A | 123 BPM | ||
| Revelations - From “The Casual Vacancy” Score | Solomon Grey | D♭ Major | 3 | 3B | 71 BPM | ||
| Gallery Drive | Fall on Your Sword | C Major | 4 | 8B | 100 BPM | ||
| San Junipero (Saturday Night in the City of the Dead) | Clint Mansell | D♭ Major | 3 | 3B | 171 BPM | ||
| Dell n Kimberly | Daniel Hart | G Major | 4 | 9B | 90 BPM | ||
| Last Night I Heard Everything in Slow Motion | Oliver Tank | G Major | 5 | 9B | 75 BPM | ||
| Fracture | Last Days | D Major | 3 | 10B | 100 BPM | ||
| The Hours | Philip Glass | G Minor | 1 | 6A | 104 BPM | ||
| Occasionally Scared | Atticus Ross, Leopold Ross, Claudia Sarne | E♭ Major | 2 | 5B | 120 BPM | ||
| MIL NOVENCIENTOS | TUCUNTAZO | D♭ Minor | 1 | 12A | 86 BPM |