Becky Hobbs's ' "The Boots I Came To Town In" was released on its scheduled release date, January 1, 1994. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Boots I Came To Town In". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. The popularity of The Boots I Came To Town In is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Boots I Came To Town In by Becky Hobbs having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I'm a Fool for Leaving | Sean Corrigan | F Major | 4 | 7B | 119 BPM | ||
| Someday You'll Call My Name | Fhiona Ennis | D♭ Major | 4 | 3B | 115 BPM | ||
| I Don't Do Bridges Anymore | Teea Goans | B♭ Major | 4 | 6B | 126 BPM | ||
| I'm-A-Gonna Get To You | Becky Hobbs | A Major | 5 | 11B | 156 BPM | ||
| Excuse Me (I Think Ive Got A Heartache) | Jann Browne | D Major | 6 | 10B | 144 BPM | ||
| For The First Time | Jessi Colter | G Major | 4 | 9B | 108 BPM | ||
| New Wine | Martin Delray | A Major | 5 | 11B | 86 BPM | ||
| Everybody Loves Me But You | Leona Williams | E♭ Major | 4 | 5B | 112 BPM | ||
| Not Open Anymore | Katja Picker | F Minor | 5 | 4A | 98 BPM | ||
| Gone | Bob the Real Deal Randall, Becky Hobbs | E♭ Major | 5 | 5B | 132 BPM | ||
| Just Someone I Used To Know | Amber Digby | D Major | 3 | 10B | 96 BPM | ||
| Blackboard of My Heart | Lisa Stanley | C Major | 4 | 8B | 170 BPM | ||
| Memphis Might As Well Be On The Moon | Mel McDaniel | C Major | 4 | 8B | 103 BPM | ||
| Why I'm Walking | Heather Myles | A♭ Major | 4 | 4B | 108 BPM | ||
| Thy Burdens Are Greater Than Mine | Country Family | D Major | 3 | 10B | 102 BPM | ||
| I Started Loving You Again | Leona Williams | D♭ Major | 3 | 3B | 87 BPM | ||
| Talk Back Tremblin' Lips | Becky Hobbs | E Major | 4 | 12B | 133 BPM | ||
| Hillbilly Girl with the Blues | Lacy J. Dalton | B Major | 5 | 1B | 131 BPM | ||
| Send Me No Roses | Tommy Overstreet | E Major | 2 | 12B | 99 BPM | ||
| What Did I Do (To Deserve All This) | Becky Hobbs | B Major | 4 | 1B | 133 BPM | ||
| Wedding Bells | Hank Locklin | D Major | 4 | 10B | 109 BPM | ||
| Her Memory's Haunting Me | Jason R Martin | D Major | 5 | 10B | 118 BPM | ||
| I Let Love Do My Talkin' | Martin Delray | A♭ Major | 7 | 4B | 127 BPM | ||
| Out of Sight and Out of Mind | Malpass Brothers | C Major | 5 | 8B | 118 BPM | ||
| Plastic Trains, Paper Planes | Susan Raye | B♭ Major | 3 | 6B | 99 BPM |