Plush Sanches's 'Demons' had a release date set for September 27, 2019. Demons is 2 minutes and 58 seconds long and may contain bad words that may be unsuitable for children. There are a total of 10 in the song's album "N.A.S.A.". In this album, this song's track order is #1. Based on our statistics, Demons's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Demons by Plush Sanches having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Slap | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| City March | Plush Sanches | C Minor | 6 | 5A | 125 BPM | ||
| Minivan Chase | Bobby Krlic | F Minor | 3 | 4A | 140 BPM | ||
| One Precious Moment | Ryan Taubert | C Major | 2 | 8B | 67 BPM | ||
| Pozos Sin Fondos | Jardin De Dudas | A Minor | 2 | 8A | 111 BPM | ||
| The Other Half | Andrew Lockington | A Minor | 3 | 8A | 73 BPM | ||
| Why Did He Leave Us? | Bobby Krlic | E Major | 2 | 12B | 84 BPM | ||
| Never Recover (Lil Baby & Gunna, Drake) | Lil Baby, Gunna, Drake | D Major | 5 | 10B | 81 BPM | ||
| I Failed You | Mac Quayle | F Minor | 3 | 4A | 140 BPM | ||
| Finale & End Credits | Joe Kraemer | E Minor | 1 | 9A | 86 BPM | ||
| Closets Flashback | Mac Quayle | F Minor | 3 | 4A | 140 BPM | ||
| It’s Not Enough | Blake Neely | C Minor | 2 | 5A | 70 BPM | ||
| Mentite Spoglie | EDO ZENITH | A Major | 1 | 11B | 120 BPM | ||
| Jamie | Jed Kurzel | A Minor | 2 | 8A | 78 BPM | ||
| Redial | Clinton Shorter | F Minor | 3 | 4A | 140 BPM | ||
| Work | Brooke Blair, Will Blair | C Major | 3 | 8B | 109 BPM | ||
| The Stakeout | Christoffer Moe Ditlevsen | B♭ Minor | 5 | 3A | 95 BPM | ||
| Broke the Bank | Plush Sanches, Peso the Don | E Major | 6 | 12B | 140 BPM | ||
| Combine | Dan Deacon, London Contemporary Orchestra, Royal Scottish National Orchestra | B♭ Major | 7 | 6B | 150 BPM | ||
| Accepting What We Can't Accept | Chanda Dancy | G Minor | 1 | 6A | 85 BPM | ||
| Ghosts | Andrew Lockington | B♭ Major | 1 | 6B | 74 BPM | ||
| Fish on Me | Natalie Holt | D Major | 3 | 10B | 145 BPM | ||
| Dead Seas | David Buckley | F Minor | 3 | 4A | 140 BPM | ||
| Ascended | Stephen Keech | F♯ Minor | 4 | 11A | 153 BPM | ||
| Driving To Chinatown | Theodore Shapiro | E♭ Major | 1 | 5B | 144 BPM |