Into It. Over It.'s ' "Brenham, TX" was released on its scheduled release date, January 1, 2011. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Brenham, TX's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Twelve Towns (Extended Version)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Brenham, TX's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Brenham, TX by Into It. Over It. having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chin Up | Moose Blood | D Major | 7 | 10B | 125 BPM | ||
| Why You Always Leave a Note | Prawn | D Major | 9 | 10B | 140 BPM | ||
| Say Nothing | Pianos Become The Teeth | E♭ Minor | 5 | 2A | 115 BPM | ||
| Crocodile | TTNG | C Minor | 4 | 5A | 123 BPM | ||
| Grace | Dear and the Headlights | A♭ Minor | 6 | 1A | 138 BPM | ||
| Close That Door | Mansions | B Minor | 9 | 10A | 114 BPM | ||
| Understanding | Seahaven | B Major | 9 | 1B | 150 BPM | ||
| Domestic | Somos | E♭ Minor | 9 | 2A | 72 BPM | ||
| Hood Rat Messiah | Dikembe | F Major | 6 | 7B | 75 BPM | ||
| Cigarettes and Old Perfume | Have Mercy | D Major | 8 | 10B | 90 BPM | ||
| Late Lives | Pianos Become The Teeth | F♯ Major | 7 | 2B | 136 BPM | ||
| You Stay. I Go. No Following. | Look Mexico | D Major | 9 | 10B | 158 BPM | ||
| Back to School | A Great Big Pile of Leaves | D Major | 9 | 10B | 103 BPM | ||
| The Smallest Light | Daisyhead | A♭ Major | 7 | 4B | 130 BPM | ||
| Seeking Out Gold (The Former) | Grandview | D Major | 8 | 10B | 76 BPM | ||
| Misused Adrenaline | Dryjacket | D♭ Major | 9 | 3B | 140 BPM | ||
| Wesley's Pipe Dream | Prawn | F Major | 7 | 7B | 155 BPM | ||
| Bit by a Dead Bee, Pt. I | Foxing | C Major | 7 | 8B | 82 BPM | ||
| Head In the Sand (Blinding Son) | Seahaven | A Major | 8 | 11B | 147 BPM | ||
| Fading | Gulfer | G Major | 4 | 9B | 105 BPM | ||
| In Good Company | Grandview | E Minor | 6 | 9A | 116 BPM | ||
| Big Hat | Everyone Everywhere | D Major | 8 | 10B | 95 BPM | ||
| Living Up To Let You Down | Into It. Over It. | F♯ Major | 7 | 2B | 130 BPM | ||
| Route 9 | American Beauty | D♭ Major | 10 | 3B | 142 BPM | ||
| Heavy Head | Elder Brother | D♭ Minor | 4 | 12A | 112 BPM |