Shahid Parvez's 'Raag Chayanat' had a release date set for May 31, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Nayab Peshkash". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Raag Chayanat is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Raag Chayanat by Shahid Parvez having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Temple Bells & Mridangam | Kuldeep Shukla | G Major | 5 | 9B | 100 BPM | ||
| Raag Bageshri | Sounds of Optimism, Deepesh Sanmal | D Major | 3 | 10B | 90 BPM | ||
| Ahir Bhairab - Instrumental | Ustad Bismillahkhan | E♭ Major | 5 | 5B | 91 BPM | ||
| Raag Jhinjhoti | Arnab Chakrabarty | D Major | 0 | 10B | 76 BPM | ||
| Raag Bhupal Todi | Kamalesh Maitra | E♭ Minor | 3 | 2A | 97 BPM | ||
| Raag Hameer | Shahid Parvez | D Major | 4 | 10B | 119 BPM | ||
| Yaman Gat in Jhap Tala Madhya Laya - Sitar & Tabla Duet | Sushmita Roy | A Major | 3 | 11B | 142 BPM | ||
| Maharaj Eki Sajey Ele | Tejendra Majumdar | C Major | 5 | 8B | 117 BPM | ||
| Raga Des Alap | G.S. Sachdev | F Major | 0 | 7B | 140 BPM | ||
| Hemis | Milind Date | A Minor | 4 | 8A | 172 BPM | ||
| Aarti | Dinesh Mishra | E Major | 4 | 12B | 98 BPM | ||
| Raga Tilak Kamod | Faiyaz Hussain Khan, Shahid Parvez | D Major | 4 | 10B | 119 BPM | ||
| Rag Bhupali - Alap & Gat in Rupak Tal | Ronu Majumdar, Abhijit Banerjee | E Major | 2 | 12B | 134 BPM | ||
| Bhajan de Surdas : Raga megh | Lakshmi Shankar | E Major | 1 | 12B | 135 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Raag Bhimpalasi: Madhyala and Drut Teentaal | Shahid Parvez | D♭ Major | 6 | 3B | 170 BPM | ||
| Dhun Siya | Langas, Manganiars | G Major | 7 | 9B | 122 BPM | ||
| Chandrachooda Shiva Shankara (Instrumental) | Kishore Kumar | B Minor | 4 | 10A | 140 BPM | ||
| Pallavani - Raga Kalyani | Ranganayaki Rajagopalan | B♭ Major | 8 | 6B | 166 BPM | ||
| Payoji | Mysore M. Nagaraj, Pravin Godkhindi | A Major | 8 | 11B | 155 BPM | ||
| Raag Yeman | Pawan Krishna | B Major | 3 | 1B | 144 BPM | ||
| Raga Kirwani - Alap Gat - Teental | Iqubal Huein, Brij Narayan | E♭ Major | 7 | 5B | 120 BPM | ||
| Varnam | Jayanthi Kumaresh | A♭ Major | 3 | 4B | 147 BPM | ||
| Raga Mand | Shahid Parvez | D♭ Major | 3 | 3B | 142 BPM | ||
| Bhairavi Gat | Shivkumar Sharma | E Minor | 5 | 9A | 126 BPM |