"Paranoia II" by Lucas King had its release date on June 25, 2017. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Paranoia II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 17 in Dark Piano for Dark Thoughts by Lucas King. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Paranoia II is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Paranoia II by Lucas King is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Silent Messenger | Desiderii Marginis | F♯ Minor | 2 | 11A | 88 BPM | ||
| Silence of the Moon | Ariella Zeitlin, Eldar Ibrahimovic | B Major | 4 | 1B | 54 BPM | ||
| Beginning to End: Act II | Hendyamps Studios | C Minor | 1 | 5A | 82 BPM | ||
| The Looking Glass | Kerry Muzzey | G Minor | 2 | 6A | 94 BPM | ||
| Song of the Sylphs | Karen Biehl | F♯ Minor | 1 | 11A | 202 BPM | ||
| Key to a Sealed Chamber | Elemental SoundWorks | A♭ Major | 0 | 4B | 50 BPM | ||
| Crimson Peak | Fernando Velázquez | G Minor | 1 | 6A | 136 BPM | ||
| Let Me Die | Abel Korzeniowski | G Minor | 2 | 6A | 168 BPM | ||
| Ice Lullaby | Max Ablitzer | D♭ Major | 1 | 3B | 72 BPM | ||
| Dark Lullabye | Prelude To A Nightmare | E♭ Major | 1 | 5B | 90 BPM | ||
| Farewell | Martin Egger | E Minor | 2 | 9A | 51 BPM | ||
| Paper Shadows | Chad Lawson | F Minor | 0 | 4A | 180 BPM | ||
| A Waltz For Mercedes | Jean Bell | D Minor | 1 | 7A | 72 BPM | ||
| Ice Song | Max Ablitzer | G Minor | 0 | 6A | 174 BPM | ||
| Fading Into Oblivion | Zonule | G Minor | 0 | 6A | 77 BPM | ||
| Lullaby Variation | Fernando Velázquez | B♭ Minor | 0 | 3A | 67 BPM | ||
| Fluctuations of the Mind | Carl Bonet | C Minor | 0 | 5A | 80 BPM | ||
| Laudanum | Atrium Carceri, Cities Last Broadcast | A Minor | 0 | 8A | 61 BPM | ||
| Perfectly Splendid | The Newton Brothers | F Major | 1 | 7B | 106 BPM | ||
| Can't Turn Back | Hendyamps Studios, Micah Butler | A Major | 2 | 11B | 72 BPM | ||
| Sacrifice | Lucas King | B Minor | 4 | 10A | 143 BPM | ||
| Sinister Slumber | Robert Austin | D Minor | 0 | 7A | 110 BPM | ||
| Hazel Eyes | Derek Fiechter | D♭ Major | 2 | 3B | 140 BPM | ||
| Spooky Night | The Midnight Ghost | A Minor | 3 | 8A | 135 BPM | ||
| Only When I'm Asleep | Elemental SoundWorks | B♭ Minor | 0 | 3A | 70 BPM |