"Into the Abyss" by Jackson Mullane had its release date on January 29, 2020. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Revelations". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Into the Abyss's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Into the Abyss by Jackson Mullane having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stillness | Christopher Elliott | C Minor | 1 | 5A | 126 BPM | ||
| Lacuna | Snorri Hallgrímsson | B♭ Minor | 0 | 3A | 67 BPM | ||
| Tuva | Garth Stevenson | G Major | 1 | 9B | 110 BPM | ||
| Twilight in Bruges | Steven Vrancken, Tom Merrall, Joni Fuller | E♭ Minor | 0 | 2A | 120 BPM | ||
| The Blue Hour | Federico Albanese | B♭ Minor | 1 | 3A | 85 BPM | ||
| 1977 | Quentin Dujardin | B Minor | 2 | 10A | 111 BPM | ||
| Waldeinsamkeit | Meredi | A Minor | 2 | 8A | 96 BPM | ||
| Behind Those Eyes | Roberto Attanasio | B Major | 1 | 1B | 180 BPM | ||
| In a Dream | Omar Raafat | E♭ Major | 2 | 5B | 180 BPM | ||
| Minor Revolt | Federico Albanese | G Minor | 2 | 6A | 156 BPM | ||
| Illuminate | Jon Winterstein | B♭ Minor | 0 | 3A | 0 BPM | ||
| Traces | Cedric Vermue | F Minor | 0 | 4A | 110 BPM | ||
| The Watcher & The Sea | Daniel O'Rhys | B Minor | 2 | 10A | 130 BPM | ||
| Cleansing | Jacco Wynia | A Major | 1 | 11B | 72 BPM | ||
| Wind's Caress | Mattia Vlad Morleo | D♭ Minor | 1 | 12A | 75 BPM | ||
| Fields of Gold | Gordon Matthew Thomas Sumner, Ben Laver | A♭ Major | 0 | 4B | 145 BPM | ||
| Amore | Joe Alexander Shepherd | F Major | 0 | 7B | 71 BPM | ||
| Forever | Frederic Felix | F Major | 1 | 7B | 138 BPM | ||
| Saudade (When We Are Born) | Ólafur Arnalds | D Major | 0 | 10B | 100 BPM | ||
| A New Dawn | HRDY | G Major | 6 | 9B | 119 BPM | ||
| Was am Ende | Alice Baldwin | B♭ Minor | 0 | 3A | 123 BPM | ||
| La deriva | Manuel Zito | E Minor | 3 | 9A | 83 BPM | ||
| Luz | Tristan Eckerson | B♭ Major | 1 | 6B | 137 BPM | ||
| Home | Henning Fuchs | A Major | 3 | 11B | 120 BPM | ||
| Above | Meredi | G Minor | 2 | 6A | 112 BPM |