Peter Fessler's ' "All The Things You Are" was released on its scheduled release date, 1996. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 12 in Foot Prints by Peter Fessler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, All The Things You Are is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of All The Things You Are by Peter Fessler is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ich Wäre Gern Wie DU | Klaus Havenstein | G Minor | 8 | 6A | 96 BPM | ||
| Seid Bereit | Thomas Fritsch, Hella von Sinnen | A Minor | 7 | 8A | 122 BPM | ||
| Poinciana | Peter Fessler | G Major | 3 | 9B | 136 BPM | ||
| Hilf den Verstoss'nen - Live | Ensemble Stage Theater des Westens | F Major | 3 | 7B | 98 BPM | ||
| Einfach toll | Tim Sander | D Major | 4 | 10B | 138 BPM | ||
| Mehr als nur ich und du | Ensemble Operettenhaus Hamburg | D Major | 4 | 10B | 166 BPM | ||
| Wir sind zurück | Debby van Dooren, Cast - Vaiana 2, Te Vaka | A♭ Major | 7 | 4B | 113 BPM | ||
| Ich will jetzt gleich König sein | Davit Nikalayan, Anisa Celik, Axel Malzacher | D♭ Major | 8 | 3B | 99 BPM | ||
| Der Morgenreport | Eberhard Prüter, Florian Schade | A♭ Major | 7 | 4B | 156 BPM | ||
| Liebe sie öffnet Tür'n - Live | Celena Pieper, Milan Van Waardenburg | C Major | 3 | 8B | 90 BPM | ||
| Die Schöne und das Biest | Marion Martienzen | G Minor | 2 | 6A | 88 BPM | ||
| Wunderschön (Reprise) | Rubina Nath | D♭ Minor | 8 | 12A | 119 BPM | ||
| Das ist Paris aus meiner Kindheit | Julia Scheeser | B♭ Major | 1 | 6B | 92 BPM | ||
| Nichts, Nichts, Gar Nichts | Original German Cast Of: "Elisabeth" | A Major | 4 | 11B | 94 BPM | ||
| Monster - Live | Sabrina Weckerlin, Milan Van Waardenburg, Ensemble Stage Theater an der Elbe | D Major | 5 | 10B | 77 BPM | ||
| Ein Kerl Wie Du | Hans Muller, Alice Franz, Peter Fricke | G Major | 4 | 9B | 98 BPM | ||
| Tritons Töchter | Chor - Arielle, Die Meerjungfrau | C Major | 4 | 8B | 128 BPM | ||
| Allerhöchste Spannung - Live | Stefan Tolnai, Pedro Reichert, Philipp Tobias Hägeli, Ensemble Neue Flora, Orchester Neue Flora | F Minor | 6 | 4A | 85 BPM | ||
| In New Orleans (Finale) | Cassandra Steen | C Major | 8 | 8B | 148 BPM | ||
| Katzen Brauchen Furchtbar Viel Musik | Cast - Aristocats | F Minor | 5 | 4A | 120 BPM | ||
| Virginia Company | Chorus - Pocahontas | G Major | 6 | 9B | 177 BPM | ||
| Die Schöne und das Biest (Finale) | Annette Dasch, Marion Martienzen, Ensemble - Die Schöne und das Biest | B♭ Major | 4 | 6B | 171 BPM | ||
| In New Orleans | Roger Cicero | C Major | 6 | 8B | 119 BPM | ||
| Seht den Sonnenschein - Live | Lily, Vita, Lanie Sumalinog, Dominik Doll, Ensemble Stage Theater an der Elbe | E Major | 8 | 12B | 85 BPM | ||
| Zwei Welten | Anton Zetterholm, Ensemble Stage Theater Neue Flora | F Minor | 6 | 4A | 113 BPM |