On July 29, 2011, the song "Crazy, Crazy Baby" was released by Chuck Howard. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Crazy, Crazy Baby's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "That'll Flat Git It, Vol. 27 Rockabilly & Rock 'N' Roll from the Vault of Sage & Sand Records". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. Based on our statistics, Crazy, Crazy Baby's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Crazy, Crazy Baby by Chuck Howard having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Take The Whole World On - Edit | Ashford & Simpson | D Major | 4 | 10B | 130 BPM | ||
| So Intense | Lisa Fischer | A Major | 8 | 11B | 80 BPM | ||
| (You're My) Shining Star | Curtis Hairston | E♭ Major | 5 | 5B | 86 BPM | ||
| Go On and Cry - 7" | Bloodstone | B Minor | 4 | 10A | 81 BPM | ||
| I'd Rather Be Lonely | By All Means | F♯ Minor | 10 | 11A | 160 BPM | ||
| Her Love | Lillo Thomas | G Major | 6 | 9B | 102 BPM | ||
| In Love With Love | Marva Hicks | G Major | 6 | 9B | 158 BPM | ||
| Do You Get Enough Love? | Shirley Jones | G Major | 6 | 9B | 134 BPM | ||
| Come Home to Me | Miki Howard | C Major | 6 | 8B | 80 BPM | ||
| Love Is a Game | Morris Day | E Minor | 3 | 9A | 70 BPM | ||
| Tonight We Escape (We Make Love) | Ashford & Simpson | C Minor | 3 | 5A | 101 BPM | ||
| I Can Hardly Wait | Isley, Jasper, Isley | B Minor | 7 | 10A | 81 BPM | ||
| I Just Stopped by Because I Had To | Shalamar | F Major | 6 | 7B | 136 BPM | ||
| I Will Be There | Carl Anderson | E Minor | 6 | 9A | 147 BPM | ||
| Waiting For The Rain | Philip Bailey | B♭ Minor | 8 | 3A | 110 BPM | ||
| The Last Hurrah | Shirley Murdock | A Major | 3 | 11B | 133 BPM | ||
| T.K.O. | Womack & Womack | A♭ Minor | 3 | 1A | 134 BPM | ||
| Love Talk | The Stylistics | G Major | 6 | 9B | 73 BPM | ||
| I Still Love You | Shirley Murdock | C Major | 6 | 8B | 85 BPM | ||
| Baby My Heart | Carl Anderson, Brenda Russell | B♭ Major | 6 | 6B | 135 BPM | ||
| We're All In This Together | David Peaston | B♭ Major | 7 | 6B | 99 BPM | ||
| Baby, I'm for Real | Sherrick | B♭ Major | 4 | 6B | 82 BPM | ||
| Never Stop Loving Me | Keni Burke | A♭ Minor | 5 | 1A | 95 BPM | ||
| Love You Forever | Milira | G Major | 7 | 9B | 96 BPM | ||
| If You Really Love Her | Milira | G Major | 7 | 9B | 96 BPM |