"Naught" by Loss had its release date on May 19, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Loss's "Horizonless" album is number 5 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Naught is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Naught by Loss to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Eerie Deliverance | Hooded Menace | G Major | 10 | 9B | 130 BPM | ||
| Boleskine House | Triptykon | E Minor | 6 | 9A | 118 BPM | ||
| Qadmon's Heir | Schammasch | A♭ Major | 10 | 4B | 130 BPM | ||
| The March and the Stream | Skepticism | B Major | 2 | 1B | 80 BPM | ||
| Athame|Bane Emanations | Ultha | G Minor | 5 | 6A | 90 BPM | ||
| Swine | Black Tomb | D♭ Major | 9 | 3B | 78 BPM | ||
| Chime the Centuries End | Evoken | D Major | 4 | 10B | 135 BPM | ||
| Strangled With the Cord | Dragged Into Sunlight, Gnaw Their Tongues | G Major | 9 | 9B | 119 BPM | ||
| Hunters | The Ruins Of Beverast | D Major | 10 | 10B | 140 BPM | ||
| You Cannot Even Find the Ruins… | Deathspell Omega | A Major | 6 | 11B | 83 BPM | ||
| Lysergic Communion | Warhorse | D Major | 7 | 10B | 77 BPM | ||
| In Solitary Ruin | Evoken | D Minor | 7 | 7A | 58 BPM | ||
| Heaven Torn Low I (the passage) | Bell Witch, Aerial Ruin | D♭ Major | 2 | 3B | 119 BPM | ||
| I Am a Name on Your Funeral Wreath | Spiritus Mortis | E♭ Major | 5 | 5B | 104 BPM | ||
| Beyond The Infinite | Light Bearer | A♭ Major | 2 | 4B | 73 BPM | ||
| Breathing | Triptykon | G Major | 9 | 9B | 114 BPM | ||
| Greater Invocation of Disgust | Thou | F♯ Minor | 6 | 11A | 77 BPM | ||
| Spewing Gloom | Zhrine | F♯ Major | 7 | 2B | 95 BPM | ||
| Reflection in Slow Time | Shape Of Despair | D♭ Minor | 6 | 12A | 110 BPM | ||
| Killing Rapture | SubRosa | B Minor | 7 | 10A | 128 BPM | ||
| Foreigner | Pallbearer | A Minor | 5 | 8A | 114 BPM | ||
| The Mantle Tomb | Mourning Beloveth | F♯ Major | 7 | 2B | 122 BPM | ||
| Devoid Of Redemption | Pallbearer | A Major | 9 | 11B | 123 BPM | ||
| Aurore | Slow | B Minor | 3 | 10A | 100 BPM | ||
| The Indwelling Ascent | Mournful Congregation | D♭ Minor | 5 | 12A | 110 BPM |