Midori Karashima's '夢をつないで' had a release date set for May 29, 2024. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Midori Karashima's "GREEN+2" album is number 11 out of 12. On top of that, Japan appears to be the country where this track was created. 夢をつないで is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 夢をつないで by Midori Karashima to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shirubenai Tabi | Ryuun Nagai | D Minor | 3 | 7A | 80 BPM | ||
| 冬が来るまえに | Off Course | C Major | 3 | 8B | 122 BPM | ||
| プラネタリウム | ASKA | D Major | 8 | 10B | 91 BPM | ||
| シルエット・ロマンス(オーケストラアレンジ) | Takao Kisugi | D Minor | 3 | 7A | 81 BPM | ||
| Far away | Shinji Tanimura | A Major | 2 | 11B | 175 BPM | ||
| もしもピアノが弾けたなら | Toshiyuki Nishida | D Major | 3 | 10B | 120 BPM | ||
| 色・ホワイトブレンド | 中山美穂 | G Major | 6 | 9B | 124 BPM | ||
| マンハッタン・キス - 2022 Remaster | Mariya Takeuchi | F Major | 3 | 7B | 73 BPM | ||
| この街 | Chitose Hajime | D♭ Major | 4 | 3B | 107 BPM | ||
| さよなら涙 | Billy Ban Ban | C Major | 5 | 8B | 140 BPM | ||
| この広い野原いっぱい | Ryoko Moriyama | F Major | 4 | 7B | 116 BPM | ||
| ネコの目 | Midori Karashima | C Major | 2 | 8B | 80 BPM | ||
| 都会の天使たち | EunSook Kye, Takao Horiuchi | B Minor | 5 | 10A | 126 BPM | ||
| 愛燦燦-AI SAN SAN- | Mayumi Itsuwa, Kei Ogura | F Minor | 4 | 4A | 79 BPM | ||
| 最後の手紙 | Midori Karashima | C Major | 1 | 8B | 130 BPM | ||
| MIDNIGHT TAXI | 中山美穂 | F Major | 7 | 7B | 109 BPM | ||
| りばいばる | Naoko Ken | B♭ Minor | 4 | 3A | 120 BPM | ||
| ゆうこ | Kozo Murashita | A Minor | 7 | 8A | 130 BPM | ||
| 異邦人 | Saki Kubota | F Minor | 6 | 4A | 107 BPM | ||
| 道化師のソネット | Masashi Sada | F Major | 3 | 7B | 73 BPM | ||
| Shinkiro | Mariko Takahashi | G Minor | 8 | 6A | 122 BPM | ||
| さよなら大好きな人 | hana*hana | B♭ Major | 6 | 6B | 152 BPM | ||
| あなたがおしえてくれた | Miki Imai | D Major | 5 | 10B | 143 BPM | ||
| Change | Midori Karashima | A Major | 8 | 11B | 133 BPM | ||
| 悲しいね | Misato Watanabe | A♭ Major | 9 | 4B | 110 BPM |