"The Lament Configuration" by Christopher Young had its release date on September 15, 2017. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christopher Young's "Hellraiser 30th Anniversary Edition (Original Motion Picture Soundtrack)" album is number 4 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Lament Configuration's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Lament Configuration by Christopher Young to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Crate | John Harrison | A Major | 3 | 11B | 147 BPM | ||
| Trouble In Woodsboro - From "Scream" | Marco Beltrami | E Minor | 4 | 9A | 90 BPM | ||
| H3 - Season of The Witch - Re-Mastered | John Carpenter, Alan Howarth | A Major | 1 | 11B | 106 BPM | ||
| The Discovery | John Frizzell | A♭ Major | 2 | 4B | 81 BPM | ||
| Jason Hung | Harry Manfredini | A Minor | 2 | 8A | 0 BPM | ||
| clap game | joseph bishara | D♭ Major | 1 | 3B | 132 BPM | ||
| Red Condensation | Andrew Hulshult | A Major | 0 | 11B | 63 BPM | ||
| Here We Go Again (Opening Titles) | Harry Manfredini | F Minor | 5 | 4A | 80 BPM | ||
| Father's Day | John Harrison | C Major | 2 | 8B | 128 BPM | ||
| Main Title | Tobe Hooper and Wayne Bell | D♭ Major | 5 | 3B | 61 BPM | ||
| Alligator Blood | Christopher Young | E Major | 6 | 12B | 136 BPM | ||
| Nosferatu Opening Titles | Silent Orchestra | G Major | 2 | 9B | 61 BPM | ||
| Dissection | Graham Plowman | A♭ Major | 2 | 4B | 149 BPM | ||
| Terror Tunnel | Paul Wiley | D Minor | 1 | 7A | 88 BPM | ||
| Main Titles | Marco Beltrami, Marcus Trumpp | A Major | 6 | 11B | 90 BPM | ||
| Headlights - Main Title | Mark Isham | B♭ Minor | 1 | 3A | 123 BPM | ||
| Leviathan | Christopher Young | D Major | 4 | 10B | 71 BPM | ||
| The Owned Cannot have a Soul of it’s Own | Jim Williams | D♭ Minor | 1 | 12A | 70 BPM | ||
| The Bitter End | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| Main Theme (from Weapons) | Ryan Holladay, Hays Holladay, Zach Cregger | D Major | 2 | 10B | 60 BPM | ||
| Enter the Clown | Richard Bellis | D Major | 1 | 10B | 85 BPM | ||
| Ghost I | Fernando Velázquez | C Major | 1 | 8B | 81 BPM | ||
| Unholy Reception | Shadow's Symphony | B Major | 1 | 1B | 76 BPM | ||
| Firenze Di Notte | Martin Tillmann, Mel Wesson, The Lyndhurst Orchestra, Gavin Greenaway | D Major | 6 | 10B | 66 BPM | ||
| Cell Phone | Marco Beltrami | G Minor | 0 | 6A | 80 BPM |