Akiyuki Morimoto's ' "Second Council Meeting - Tension / Iceborne Version" was released on its scheduled release date, September 25, 2019. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Capcom Sound Team's "Monster Hunter World: Iceborne Original Soundtrack" album is number 23 out of 66. On top of that, Japan appears to be the country where this track was created. Based on our statistics, Second Council Meeting - Tension / Iceborne Version's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Second Council Meeting - Tension / Iceborne Version by Akiyuki Morimoto to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anomaly in the Forest | Zhenlan Kang, Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| The Defense of Seliana | YUKO KOMIYAMA | B Minor | 8 | 10A | 144 BPM | ||
| Legacy of the Moonspell | Daniele Zandara, Davide Carnelli, Julia Henderson | F Minor | 6 | 4A | 164 BPM | ||
| Readiness | Naoshi Mizuta | D Minor | 3 | 7A | 186 BPM | ||
| King's Verdict | アトラスサウンドチーム, ATLUS GAME MUSIC | F Minor | 5 | 4A | 100 BPM | ||
| King of Destruction | グローリー・コーラス・トウキョウ, アトラスサウンドチーム, ATLUS GAME MUSIC | B Minor | 5 | 10A | 122 BPM | ||
| The Enchantment Breaks | Soma Tanizaki | A♭ Minor | 4 | 1A | 161 BPM | ||
| Duel with the Divine - FF7 Rebirth OST Ver. | 裏谷 玲央, 古川 亮 | E♭ Major | 6 | 5B | 103 BPM | ||
| Scion of the Berserk Dragon | Lee Jaekwang (NEOPLE) | C Minor | 7 | 5A | 84 BPM | ||
| Go Time | Vanguard Sound, 赛博传媒-2064, azusaTaxhi | F Minor | 8 | 4A | 95 BPM | ||
| 蒼き龍の逆鱗/シャンティエン | Hideyuki Fukasawa | A Major | 3 | 11B | 86 BPM | ||
| Queen's Blood - FF7 Rebirth OST Ver. | 鈴木 光人, 碓井 淳之介 | E♭ Major | 6 | 5B | 103 BPM | ||
| Master of All | Yasunori Nishiki | A♭ Major | 7 | 4B | 85 BPM | ||
| Congregation of the Fearless: The Chase | Zhenlan Kang | C Major | 9 | 8B | 144 BPM | ||
| The Junon Region - Battle Edit - FF7 Rebirth OST Ver. | 中村佳紀 | E♭ Major | 6 | 5B | 103 BPM | ||
| Fealty | Yasunori Nishiki | D Major | 7 | 10B | 132 BPM | ||
| Before the Storm - Caer Norvent | 祖堅 正慶 | G Minor | 8 | 6A | 80 BPM | ||
| 妖艶なる舞 ~ タマミツネ | 裏谷玲央 | A Minor | 3 | 8A | 130 BPM | ||
| The Allmother - Instrumental | 堀諭史 | G Major | 4 | 9B | 126 BPM | ||
| Rays of Hope and Despair | Masahiro Ohki | G Minor | 6 | 6A | 77 BPM | ||
| OCTOPATH TRAVELER: Champions of the Continent –Main Theme– | Yasunori Nishiki | G Major | 4 | 9B | 136 BPM | ||
| Surging and Fading Light | Masahiro Ohki | C Minor | 6 | 5A | 69 BPM | ||
| 攻防自在、乱戦必至の城塞 | 堀諭史 | F Major | 5 | 7B | 112 BPM | ||
| 深淵の朔望 | Capcom Sound Team | A♭ Minor | 4 | 1A | 85 BPM | ||
| 密林の大食漢 - Sunbreak ver. | 小倉真奈 | B Minor | 6 | 10A | 81 BPM |