Godavaribai Munde, Rameshbuva Shegaonkar's ' "Krushna Tula Mi Takid Karte" was released on its scheduled release date, December 11, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 12 in Aikuni Venucha Naad, Vol. 1 by Godavaribai Munde, Rameshbuva Shegaonkar. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Krushna Tula Mi Takid Karte's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Krushna Tula Mi Takid Karte by Godavaribai Munde, Rameshbuva Shegaonkar is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bai Bai Jate Ga Maherala | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | B♭ Minor | 6 | 3A | 160 BPM | ||
| Pingala | Mauli Maharaj | B♭ Minor | 9 | 3A | 117 BPM | ||
| Vilopale Madhu Milanataya | Prabhakar Karekar | G Minor | 6 | 6A | 101 BPM | ||
| Hoshyar Bash Khuwaja | Salma Jahani, Haider Salim | B Major | 6 | 1B | 126 BPM | ||
| Saag Sisam No Dholiyo | Diwaliben Bhil | B♭ Minor | 6 | 3A | 204 BPM | ||
| Gafil Mat Rehna Beta | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Koel Bai | SAZ | B Major | 5 | 1B | 142 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Aikuni Venucha Naad | Godavaribai Munde, Rameshbuva Shegaonkar | A Major | 5 | 11B | 84 BPM | ||
| Raga Kalingada | Pt. Sharad Sutaone | E♭ Major | 3 | 5B | 111 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Ram Krishna Naam | Swapna Chakraborty | F Minor | 3 | 4A | 137 BPM | ||
| PYARA PYARA SHYAM JI | Saurabh Aggarwal, Vishesh Bhanderi | A♭ Major | 8 | 4B | 95 BPM | ||
| Jagat Bidit Baidyanath | Vishwanath Mishra | B♭ Major | 3 | 6B | 98 BPM | ||
| Jave Pandharisi | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 100 BPM | ||
| Manchindranathcha Chabina Ala | Madhuri Vilson | D Major | 4 | 10B | 88 BPM | ||
| Kanifnathacha Kaval Bhakticha | Shivaji Tupvihare | A Major | 4 | 11B | 114 BPM | ||
| Deva Tujha Me Sonar | Godavaribai Munde | B♭ Minor | 7 | 3A | 120 BPM | ||
| Shankar Bhandar Bole (Bandish) | Bharat Balvalli | C Major | 7 | 8B | 126 BPM | ||
| Gulghula Vajti Tal | Baba Maharaj Satarkar | F♯ Minor | 5 | 11A | 119 BPM | ||
| Karni Ma Chirja Man Mat Darpe Lakh Roj | Ranveer Singh Rathore | A Major | 6 | 11B | 97 BPM | ||
| Krupallu Sajanna | Godavaribai Munde, Rameshbua Shengaonkar, Nagesh Pimpale | F♯ Major | 5 | 2B | 175 BPM | ||
| Namo Namo Namo Namo Net Net Net Hai | North Kirtan Studio, Bhai Anantvir Singh Ji | E♭ Major | 4 | 5B | 146 BPM | ||
| O Ganapa Gananatha | Vani Jairam | D♭ Major | 6 | 3B | 130 BPM | ||
| ATRI STUTI | Morari Bapu | D♭ Minor | 5 | 12A | 99 BPM |