Adam Hurst's 'Encounter' had a release date set for January 1, 2008. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Encounter's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wanderer by Adam Hurst. The song's track number on the album is #4 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Encounter is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Encounter by Adam Hurst has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Encounter being at 107 BPM, the half-time would be 54 BPM with a double-time of 214 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quartet No.1 In C Minor | Northern Harbor | D♭ Major | 0 | 3B | 116 BPM | ||
| Szeptuchy, Pt. 2 | Maciej Sadowski, Lowbow | G Major | 0 | 9B | 162 BPM | ||
| Shadowman's Waltz | Franz Gordon | F♯ Major | 0 | 2B | 118 BPM | ||
| What Went We | Mark Korven | G Minor | 0 | 6A | 82 BPM | ||
| Things That Hold Memory | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | E Minor | 2 | 9A | 87 BPM | ||
| Sacrament | Adam Hurst | C Minor | 2 | 5A | 62 BPM | ||
| Aerial | Artesia | C Minor | 2 | 5A | 79 BPM | ||
| Lullaby Variation | Fernando Velázquez | B♭ Minor | 0 | 3A | 67 BPM | ||
| Winter of 1929 | Judson Hurd | C Minor | 0 | 5A | 100 BPM | ||
| Darker Sky | Ariella Zeitlin, Eldar Ibrahimovic | F Major | 2 | 7B | 114 BPM | ||
| Anonymous Waltz | Matt Stewart-Evans | F Minor | 1 | 4A | 78 BPM | ||
| Fragments | Adam Hurst | E Minor | 4 | 9A | 111 BPM | ||
| The Last Bird | Zoë Keating | A♭ Major | 1 | 4B | 120 BPM | ||
| Key to a Sealed Chamber | Elemental SoundWorks | A♭ Major | 0 | 4B | 50 BPM | ||
| The Secret Agent | Philip Glass, Cello Octet Conjunto Ibérico, Elias Arizcuren | C Minor | 1 | 5A | 112 BPM | ||
| Zerachiel | Igor Ferreira | C Major | 2 | 8B | 79 BPM | ||
| Beginning to End: Act II | Hendyamps Studios | C Minor | 1 | 5A | 82 BPM | ||
| Erupting Light | Hildur Guðnadóttir, Jóhann Jóhannsson | D Minor | 2 | 7A | 56 BPM | ||
| Fate | Ilya Beshevli | F♯ Minor | 2 | 11A | 114 BPM | ||
| Torrek | Hildur Guðnadóttir | G Major | 1 | 9B | 76 BPM | ||
| Luce mia luce | Luigi Rubino | G Major | 1 | 9B | 77 BPM | ||
| Experimental Dark Ambient Cellos | Rafael Krux | D Minor | 3 | 7A | 80 BPM | ||
| The Secret | Adam Hurst | C Minor | 3 | 5A | 120 BPM | ||
| Heart of the Forest | Dzivia | C Minor | 2 | 5A | 140 BPM | ||
| Code Circle | Yopy Mystic | G Minor | 4 | 6A | 120 BPM |