Ian Janes's ' "Vital Signs" was released on its scheduled release date, October 28, 2022. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 12 in Episode 5 by Ian Janes. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Vital Signs's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Vital Signs by Ian Janes is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honey, I'm Coming Home | Dave Barnes | G Major | 7 | 9B | 116 BPM | ||
| Six Strings and Diamond Rings | Taylor Hicks | B Major | 5 | 1B | 142 BPM | ||
| Love Me Like You're Losing Me | Zac Wilkerson | B Major | 3 | 1B | 132 BPM | ||
| A Lie is a Lie | Ian Janes | F Major | 8 | 7B | 173 BPM | ||
| I Can't Be Satisfied | HeavyDrunk | B♭ Major | 5 | 6B | 144 BPM | ||
| Tell the People | Brett James | E Major | 7 | 12B | 154 BPM | ||
| High Life | Gareth Dunlop | G Major | 1 | 9B | 75 BPM | ||
| Heartbreak Superstar | Matt Warren | F♯ Major | 6 | 2B | 119 BPM | ||
| For What It's Worth | Kristy Lee | D♭ Minor | 6 | 12A | 91 BPM | ||
| Made in the USA | Fredy P | F♯ Major | 7 | 2B | 135 BPM | ||
| Somebody's Gonna Love You | Ian Janes | F Major | 5 | 7B | 92 BPM | ||
| Always Be My Baby - Recorded at Sound Stage Nashville | Anderson East | D♭ Minor | 1 | 12A | 115 BPM | ||
| Love's Second Bloom | WorldMusicCorp | D♭ Major | 5 | 3B | 140 BPM | ||
| Chasing Dreams | Dave Barnes | C Major | 4 | 8B | 136 BPM | ||
| Background Noise | Antony whittaker | F♯ Major | 4 | 2B | 81 BPM | ||
| I Can Still Feel You (feat. Thompson Square) | Blues Traveler, Thompson Square | F Major | 7 | 7B | 130 BPM | ||
| What is Mine is Yours | Ian Janes | A Major | 3 | 11B | 116 BPM | ||
| Quit You | Anderson East | C Major | 8 | 8B | 114 BPM | ||
| Let 'Em In | The Bros. Landreth | B♭ Major | 4 | 6B | 87 BPM | ||
| Parking Meters | MECA MILES | G Major | 3 | 9B | 78 BPM | ||
| Bubble Trouble | Situation Blues | G Major | 3 | 9B | 78 BPM | ||
| Always Rains in Portland | Mark Mackay | F Major | 5 | 7B | 97 BPM | ||
| A Little Too Late | Eddy Smith & The 507 | G Major | 5 | 9B | 84 BPM | ||
| What we used to Know | Hammer to the Cross | G Major | 3 | 9B | 78 BPM | ||
| Playful | Brooks Lane | G Major | 3 | 9B | 78 BPM |